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YEAR'S BEST SF 18

Almost uniformly excellent—but then when was an anthology from Hartwell ever less?

Award-winning editor/anthologist Hartwell rounds up a sparkling selection of science-fiction stories from 2012.

Standouts: Gregory Benford’s “The Sigma Structure Symphony,” about a future where CETI’s problem is no longer detecting alien signals, but interpreting them; Yoon Ha Lee's "The Battle of Candle Arc," a splendid space-warfare yarn; Gwyneth Jones’ “Bricks, Sticks, Straw,” in which virtual personalities become cut off from their human primaries; and Aliette de Bodard’s “Two Sisters in Exile,” covering the wrenching death of an intelligent spaceship. All four cry out to be expanded into novels and perhaps will be. Not far behind are Paul Cornell’s unusual and thoughtful time-travel variant; Linda Nagata’s chilling look at a future where it may be a crime not to die; Sean McMullen’s charming Napoleonic steampunk yarn; and Eleanor Arnason’s clever and subtle “Holmes Sherlock: A Hwarhath Mystery,” wherein an alien who understands human literature investigates a mystery—no prizes for guessing what the inspiration is. Elsewhere, Megan Lindholm looks at the future of smart cars; Robert Reed ponders smart guns, artificial intelligence and war; a young female investigator enters an ultralibertarian future. Also here: AIs as human therapists; a tidally locked planet with alien life; artificial reality; future medicine; humor from Lewis Shiner (a PC’s revenge), Catherine Shaffer (an ex-CIA operative joins a literary society and gets more than she bargained for) and C.S. Freidman (virtual reality); Andy Duncan stomps on the traditional advice not to write about UFOs; Ken Liu extrapolates humanity into the far future; Paul McAuley observes Antarctica as the ice retreats; plus precognition, satire, physics, ecological collapse, the nature of marriage on Mercury (it’s stranger than one might think) and more.

Almost uniformly excellent—but then when was an anthology from Hartwell ever less?

Pub Date: Dec. 10, 2013

ISBN: 978-0-763-3815-0

Page Count: 416

Publisher: Tor

Review Posted Online: Nov. 3, 2013

Kirkus Reviews Issue: Nov. 15, 2013

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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