Pointless, aimless, joyless, fruitless, and flavorless.
A strange and lugubrious fifth novel by the Canadian Gilmour (How Boys See Girls, 1991, etc.), who offers an excruciating insight into the tormented psyche of a lonely older man.
Darius Halloway is a professor of French literature in Toronto. Even by the standards of his profession, he is a dull fellow: pedantic, self-obsessed, and astonishingly sheltered from the realities of life in the world. Originally a student of English, Halloway switched to French while still an undergraduate in order to spend a year in Toulouse and escape from the memory of his first bad love affair. There were plenty more to come. Perhaps the cruelest blow came from Emma Carpenter, a much younger women who took up with Halloway for some reason and moved into his apartment. Foul-mouthed and promiscuous, Emma spoke quite intimately and casually of her former lovers and refused to marry Halloway. Finally, she packed up and left, to no one’s surprise but his, and he found himself more and more distraught as each day passed without her. He tried all the usual distractions to forget his misery—but to no avail. He seduced perfect strangers, but they inevitably made him feel worse. He drank a great deal. He poisoned his neighbors’ dogs. He traveled to the Caribbean. Soon, he found himself visiting sleazy massage parlors in dodgy parts of town. He became particularly attached to one masseuse named Passion, who eventually came to see him at home and burgled his house. When he threatened to report her to the police, her pimp beat him up. When the pimp came to pay him a second call, Halloway shot him to death and burned his corpse in the furnace. Then he fell in love with someone else, married her, and . . . .
Pointless, aimless, joyless, fruitless, and flavorless.Pub Date: May 1, 2001
ISBN: 1-58243-203-1
Page Count: 224
Publisher: Counterpoint
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2002
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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