The first official biography of Giuseppe Tomasi, prince of Lampedusa and author of The Leopard, recounted by British journalist (and family friend) Gilmour with an elegance and precision worthy of his subject. When The Leopard was published in 1958 to great acclaim, Lampedusa was already one year dead and entirely unknown as a writer. Intensely shy and self-contained, he did not even begin writing until late in life and left the world no picture of himself save that contained in his portrait of Don Fabrizio, the doomed aristocrat of his novel, whose declining fortunes mirrored that of the Lampedusa family. The last scion of a long line of Sicilian nobility, Lampedusa grew up in a world that had little use—and no role—for him, and he found his only refuge from the tedium of daily life in literature: A voracious reader, he was capable of working his way through entire novels at a single sitting. Ill at ease among intellectuals, Lampedusa made little use of his literary interests until—well into middle age—he began to give informal lectures on English poetry and prose to a small circle of friends. Gradually he formed the notion of writing a novel that would ``preserve'' the nearly vanished world of Sicily's ancien rÇgime, much as the works of Dickens had captured 19th-century London. With marvelous insight and clarity (aided by an unimpeded access to Lampedusa's notes and papers), Gilmour traces the process by which the aging prince came to an understanding of his own history and managed to transform what he himself saw as ``a largely wasted life'' into one of the most controversial and admired novels of the century. A fascinating chronicle: Gilmour writes with the assurance of a seasoned scholar and the ease of a born storyteller.
Pub Date: Aug. 1, 1991
ISBN: 0-679-40183-0
Page Count: 240
Publisher: Pantheon
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 15, 1991
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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