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THE LAST LEOPARD

A LIFE OF GIUSEPPE TOMASI DI LAMPEDUSA

The first official biography of Giuseppe Tomasi, prince of Lampedusa and author of The Leopard, recounted by British journalist (and family friend) Gilmour with an elegance and precision worthy of his subject. When The Leopard was published in 1958 to great acclaim, Lampedusa was already one year dead and entirely unknown as a writer. Intensely shy and self-contained, he did not even begin writing until late in life and left the world no picture of himself save that contained in his portrait of Don Fabrizio, the doomed aristocrat of his novel, whose declining fortunes mirrored that of the Lampedusa family. The last scion of a long line of Sicilian nobility, Lampedusa grew up in a world that had little use—and no role—for him, and he found his only refuge from the tedium of daily life in literature: A voracious reader, he was capable of working his way through entire novels at a single sitting. Ill at ease among intellectuals, Lampedusa made little use of his literary interests until—well into middle age—he began to give informal lectures on English poetry and prose to a small circle of friends. Gradually he formed the notion of writing a novel that would ``preserve'' the nearly vanished world of Sicily's ancien rÇgime, much as the works of Dickens had captured 19th-century London. With marvelous insight and clarity (aided by an unimpeded access to Lampedusa's notes and papers), Gilmour traces the process by which the aging prince came to an understanding of his own history and managed to transform what he himself saw as ``a largely wasted life'' into one of the most controversial and admired novels of the century. A fascinating chronicle: Gilmour writes with the assurance of a seasoned scholar and the ease of a born storyteller.

Pub Date: Aug. 1, 1991

ISBN: 0-679-40183-0

Page Count: 240

Publisher: Pantheon

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 15, 1991

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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