A compelling—if slightly melodramatic—portrait of youth, love, and a lost era of New York.
After the death of a former friend, a Brooklyn couple finds their lives beginning to unravel.
In his second novel, author and memoirist Goodwillie paints a captivatingly vivid portrait of young love in New York in the early 2000s. Drawn by the promise of the city, Audrey and Theo are a creative couple who both escaped their respective dead-end towns and broken families. Struggling to make it in Bushwick, Audrey, a jack-of-all-trades for a well-known indie label, and Theo, a literary scout for a Hollywood production company, seem like polar opposites at first. After meeting at a concert, they fall into a deep love built on trust and devoid of secrets—or so they thought. When Audrey hears a rumor that someone from her past jumped off the Williamsburg Bridge, her life and relationship start to come apart at the seams. An old secret rises to the surface, putting Audrey and Theo in danger. The novel’s characterizations of people—from Brooklyn musicians to Upper East Siders—and the city itself are its biggest strength: “It had taken [Theo] a decade to gain his footing, but New York was funny that way. Occasionally, he thought he understood the city in a profound way. Most of the time he was confused about everything.” It’s a simple yet perfect encapsulation of the perpetual intimacy and elusiveness of Manhattan. Goodwillie’s writing is full of not only impressive detail and fondness, but also self-awareness: “Audrey and Theo were not true pioneers. They’d arrived, instead, with the first swell of settlers, and had watched with timeworn gentrifiers' dismay as the swells became waves.” Throughout the novel, the Occupy movement beats wildly in the background, and the pages are littered with current and lost locales like Café Loup, Saint Vitus and Balthazar. Aside from the plot (which sometimes falls on the overdramatic side), the novel is a panoramic time capsule of youth and self-discovery in the aughts in New York City.
A compelling—if slightly melodramatic—portrait of youth, love, and a lost era of New York.Pub Date: Aug. 11, 2020
ISBN: 978-1-5011-9213-5
Page Count: 432
Publisher: Avid Reader Press
Review Posted Online: May 3, 2020
Kirkus Reviews Issue: May 15, 2020
BOOK REVIEW
BOOK REVIEW
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.
Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.
Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.
Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.Pub Date: Sept. 24, 2024
ISBN: 9780374602635
Page Count: 464
Publisher: Farrar, Straus and Giroux
Review Posted Online: July 4, 2024
Kirkus Reviews Issue: Aug. 1, 2024
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
PERSPECTIVES
PERSPECTIVES
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
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