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KINGS COUNTY

A compelling—if slightly melodramatic—portrait of youth, love, and a lost era of New York.

After the death of a former friend, a Brooklyn couple finds their lives beginning to unravel.

In his second novel, author and memoirist Goodwillie paints a captivatingly vivid portrait of young love in New York in the early 2000s. Drawn by the promise of the city, Audrey and Theo are a creative couple who both escaped their respective dead-end towns and broken families. Struggling to make it in Bushwick, Audrey, a jack-of-all-trades for a well-known indie label, and Theo, a literary scout for a Hollywood production company, seem like polar opposites at first. After meeting at a concert, they fall into a deep love built on trust and devoid of secrets—or so they thought. When Audrey hears a rumor that someone from her past jumped off the Williamsburg Bridge, her life and relationship start to come apart at the seams. An old secret rises to the surface, putting Audrey and Theo in danger. The novel’s characterizations of people—from Brooklyn musicians to Upper East Siders—and the city itself are its biggest strength: “It had taken [Theo] a decade to gain his footing, but New York was funny that way. Occasionally, he thought he understood the city in a profound way. Most of the time he was confused about everything.” It’s a simple yet perfect encapsulation of the perpetual intimacy and elusiveness of Manhattan. Goodwillie’s writing is full of not only impressive detail and fondness, but also self-awareness: “Audrey and Theo were not true pioneers. They’d arrived, instead, with the first swell of settlers, and had watched with timeworn gentrifiers' dismay as the swells became waves.” Throughout the novel, the Occupy movement beats wildly in the background, and the pages are littered with current and lost locales like Café Loup, Saint Vitus and Balthazar. Aside from the plot (which sometimes falls on the overdramatic side), the novel is a panoramic time capsule of youth and self-discovery in the aughts in New York City.

A compelling—if slightly melodramatic—portrait of youth, love, and a lost era of New York.

Pub Date: Aug. 11, 2020

ISBN: 978-1-5011-9213-5

Page Count: 432

Publisher: Avid Reader Press

Review Posted Online: May 3, 2020

Kirkus Reviews Issue: May 15, 2020

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INTERMEZZO

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Two brothers—one a lawyer, one a chess prodigy—work through the death of their father, their complicated romantic lives, and their even more tangled relationship with each other.

Ten years separate the Koubek brothers. In his early 30s, Peter has turned his past as a university debating champ into a career as a progressive lawyer in Dublin. Ivan is just out of college, struggling to make ends meet through freelance data analysis and reckoning with his recent free fall in the world chess rankings. When their father dies of cancer, the cracks in the brothers’ relationship widen. “Complete oddball” Ivan falls in love with an older woman, an arts center employee, which freaks Peter out. Peter juggles two women at once: free-spirited college student Naomi and his ex-girlfriend Sylvia, whose life has changed drastically since a car accident left her in chronic pain. Emotional chaos abounds. Rooney has struck a satisfying blend of the things she’s best at—sensitively rendered characters, intimacies, consideration of social and philosophical issues—with newer moves. Having the book’s protagonists navigating a familial rather than romantic relationship seems a natural next step for Rooney, with her astutely empathic perception, and the sections from Peter’s point of view show Rooney pushing her style into new territory with clipped, fragmented, almost impressionistic sentences. (Peter on Sylvia: “Must wonder what he’s really here for: repentance, maybe. Bless me for I have. Not like that, he wants to tell her. Why then. Terror of solitude.”) The risk: Peter comes across as a slightly blurry character, even to himself—he’s no match for the indelible Ivan—so readers may find these sections less propulsive at best or over-stylized at worst. Overall, though, the pages still fly; the characters remain reach-out-and-touch-them real.

Though not perfect, a clear leap forward for Rooney; her grandmaster status remains intact.

Pub Date: Sept. 24, 2024

ISBN: 9780374602635

Page Count: 464

Publisher: Farrar, Straus and Giroux

Review Posted Online: July 4, 2024

Kirkus Reviews Issue: Aug. 1, 2024

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PLAYGROUND

An engaging, eloquent message for this fragile planet.

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  • New York Times Bestseller

A story of friendship, technology, oceans, and a small island.

Powers juggled nine lead characters in The Overstory (2018), his Pulitzer Prize–winning novel. Here he wrangles just four, but the result is almost as complicated. Two nerdish boys, Rafi Young and Todd Keane, bond in high school over chess and Go. In college, Rafi falls in love with Ina Aroita, a Hawaii-born Navy brat whose mother is Tahitian. The men fall out shortly after brainstorming over Todd’s idea for a computer game called Playground. This strand of the novel is told in retrospect by Todd at age 57, addressing an unidentified “you,” after he receives a diagnosis of dementia with Lewy bodies; he’s an unreliable narrator in more than one way. Interspersed are scenes in later years on the French Polynesian island of Makatea, scarred by phosphate mining and down to a population of 82, including Rafi and Ina and the novel’s fourth lead, an elderly Canadian scuba diver named Evelyne Beaulieu. Her lifelong love of the diversity and preciousness of aquatic life provides the book’s other narrative strand and its environmental theme. Through Todd, Powers sketches the computer and social media revolutions, from early coding to gaming to AI. The counterpoint to this high-tech history is Makatea, a paradise lost to industrial mining that decades later must decide whether to accept a consortium’s lucrative proposal to use the island to build floating autonomous cities. This is a challenging novel, fragmented but compelling, with fine writing on friendship and its loss and on the awe and delight the ocean inspires. Along with its environmental warnings, the book carries an intriguing look at the ways people and animals play, as in the boys’ competitive chess, the antics of manta rays, the allure of computer games, and what a meta-minded author might do with his readers.

An engaging, eloquent message for this fragile planet.

Pub Date: Sept. 24, 2024

ISBN: 9781324086031

Page Count: 400

Publisher: Norton

Review Posted Online: June 15, 2024

Kirkus Reviews Issue: July 15, 2024

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