Certain to be controversial, but all the more important for that.
The final book from the longtime activist anthropologist.
In a lively display of up-to-date anthropology, Graeber (1961-2020) offers a behind-the-scenes view of how a skilled researcher extracts knowledge from the slimmest evidence about a long-ago multiethnic society composed of pirates and settled members of existing communities. In this posthumous book, the author turns to 17th- and 18th-century Madagascar and examines hard-to-credit sources to tease out some plausible facts about the creation and early life of a distinctive Indian Ocean society, some of whose Malagasy descendants (“the Zana-Malata”) are alive today. Exhibiting his characteristic politically tinged sympathies, Graeber describes the pirates who plied the seas and settled on Madagascar as an ethno-racially integrated proletariat “spearheading the development of new forms of democratic governance.” He also argues that many of the pirates and others displayed European Enlightenment ideas even though they inhabited “a very unlikely home for Enlightenment political experiments.” Malagasies were “Madagascar’s most stubbornly egalitarian peoples,” and, as the author shows, women played significant roles in the society, which reflected Jewish, Muslin, Ismaili, and Gnostic origins as well as native Malagasy and Christian ones. All of this information gives Graeber the chance to wonder, in his most provocative conjecture, whether Enlightenment ideals might have emerged as much beyond Western lands as within them. His argument that pirates, women traders, and community leaders in early 18th-century Madagascar were “global political actors in the fullest sense of the term” is overstated, but even with such excesses taken into account, the text is a tour de force of anthropological scholarship and an important addition to Malagasy history. It’s also a work written with a pleasingly light touch. The principal audience will be anthropologists, but those who love pirate lore or who seek evidence that mixed populations were long capable of establishing proto-democratic societies will also find enlightenment in these pages.
Certain to be controversial, but all the more important for that.Pub Date: Jan. 24, 2023
ISBN: 978-0-374-61019-7
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 5, 2022
Kirkus Reviews Issue: Nov. 1, 2022
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.
The comedian argues that the arts of moderation and common sense must be reinvigorated.
Some people are born snarky, some become snarky, and some have snarkiness thrust upon them. Judging from this book, Maher—host of HBO’s Real Time program and author of The New New Rules and When You Ride Alone, You Ride With bin Laden—is all three. As a comedian, he has a great deal of leeway to make fun of people in politics, and he often delivers hilarious swipes with a deadpan face. The author describes himself as a traditional liberal, with a disdain for Republicans (especially the MAGA variety) and a belief in free speech and personal freedom. He claims that he has stayed much the same for more than 20 years, while the left, he argues, has marched toward intolerance. He sees an addiction to extremism on both sides of the aisle, which fosters the belief that anyone who disagrees with you must be an enemy to be destroyed. However, Maher has always displayed his own streaks of extremism, and his scorched-earth takedowns eventually become problematic. The author has something nasty to say about everyone, it seems, and the sarcastic tone starts after more than 300 pages. As has been the case throughout his career, Maher is best taken in small doses. The book is worth reading for the author’s often spot-on skewering of inept politicians and celebrities, but it might be advisable to occasionally dip into it rather than read the whole thing in one sitting. Some parts of the text are hilarious, but others are merely insulting. Maher is undeniably talented, but some restraint would have produced a better book.
Maher calls out idiocy wherever he sees it, with a comedic delivery that veers between a stiletto and a sledgehammer.Pub Date: May 21, 2024
ISBN: 9781668051351
Page Count: 384
Publisher: Simon & Schuster
Review Posted Online: March 5, 2024
Kirkus Reviews Issue: April 1, 2024
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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