Certain to be controversial, but all the more important for that.
The final book from the longtime activist anthropologist.
In a lively display of up-to-date anthropology, Graeber (1961-2020) offers a behind-the-scenes view of how a skilled researcher extracts knowledge from the slimmest evidence about a long-ago multiethnic society composed of pirates and settled members of existing communities. In this posthumous book, the author turns to 17th- and 18th-century Madagascar and examines hard-to-credit sources to tease out some plausible facts about the creation and early life of a distinctive Indian Ocean society, some of whose Malagasy descendants (“the Zana-Malata”) are alive today. Exhibiting his characteristic politically tinged sympathies, Graeber describes the pirates who plied the seas and settled on Madagascar as an ethno-racially integrated proletariat “spearheading the development of new forms of democratic governance.” He also argues that many of the pirates and others displayed European Enlightenment ideas even though they inhabited “a very unlikely home for Enlightenment political experiments.” Malagasies were “Madagascar’s most stubbornly egalitarian peoples,” and, as the author shows, women played significant roles in the society, which reflected Jewish, Muslin, Ismaili, and Gnostic origins as well as native Malagasy and Christian ones. All of this information gives Graeber the chance to wonder, in his most provocative conjecture, whether Enlightenment ideals might have emerged as much beyond Western lands as within them. His argument that pirates, women traders, and community leaders in early 18th-century Madagascar were “global political actors in the fullest sense of the term” is overstated, but even with such excesses taken into account, the text is a tour de force of anthropological scholarship and an important addition to Malagasy history. It’s also a work written with a pleasingly light touch. The principal audience will be anthropologists, but those who love pirate lore or who seek evidence that mixed populations were long capable of establishing proto-democratic societies will also find enlightenment in these pages.
Certain to be controversial, but all the more important for that.Pub Date: Jan. 24, 2023
ISBN: 978-0-374-61019-7
Page Count: 208
Publisher: Farrar, Straus and Giroux
Review Posted Online: Oct. 5, 2022
Kirkus Reviews Issue: Nov. 1, 2022
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A fierce, penetrating, and empowering call for change.
Artist and activist Vaid-Menon demonstrates how the normativity of the gender binary represses creativity and inflicts physical and emotional violence.
The author, whose parents emigrated from India, writes about how enforcement of the gender binary begins before birth and affects people in all stages of life, with people of color being especially vulnerable due to Western conceptions of gender as binary. Gender assignments create a narrative for how a person should behave, what they are allowed to like or wear, and how they express themself. Punishment of nonconformity leads to an inseparable link between gender and shame. Vaid-Menon challenges familiar arguments against gender nonconformity, breaking them down into four categories—dismissal, inconvenience, biology, and the slippery slope (fear of the consequences of acceptance). Headers in bold font create an accessible navigation experience from one analysis to the next. The prose maintains a conversational tone that feels as intimate and vulnerable as talking with a best friend. At the same time, the author's turns of phrase in moments of deep insight ring with precision and poetry. In one reflection, they write, “the most lethal part of the human body is not the fist; it is the eye. What people see and how people see it has everything to do with power.” While this short essay speaks honestly of pain and injustice, it concludes with encouragement and an invitation into a future that celebrates transformation.
A fierce, penetrating, and empowering call for change. (writing prompt) (Nonfiction. 14-adult)Pub Date: June 2, 2020
ISBN: 978-0-593-09465-5
Page Count: 64
Publisher: Penguin Workshop
Review Posted Online: March 14, 2020
Kirkus Reviews Issue: April 1, 2020
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