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THE UTOPIA OF RULES

ON TECHNOLOGY, STUPIDITY, AND THE SECRET JOYS OF BUREAUCRACY

A sharp, oddly sympathetic and highly readable account of how big government works—or doesn’t work, depending on your point...

Hate bureaucrats? Then stop supporting violent states.

By Graeber’s (Anthropology/ London School of EconomicsDebt: The First 5,000 Years, 2011) account, the unbending single-mindedness of the bureaucratic is not “inherently stupid” but is instead a function of that violence: Bureaucratic procedures “are invariably ways of managing social situations that are already stupid because they are founded on structural violence.” Waiting in line at the DMV is, of course, better than being tortured in some dank basement. But what Graeber means by structural violence is a system “that ultimately rests on the threat of force,” whether police officers, drill sergeants, tax auditors, or all the other agents who support a system that spies, cajoles and threatens—but that also makes it possible, he reminds us, for graduate students to read Foucault and think lofty thoughts. This complex of definitions lands Graeber squarely in the anarchist tradition, and though he layers contemporary anthropological theory into his analysis, he serves up a clear and generally jargon-free argument. Interestingly, he ventures, arguments against bureaucracy tend to come from the right wing and not the left because the right, at least, has a theory of what bureaucrats do, even if “the right-wing critique can be disposed of fairly quickly.” The author’s analysis of how bureaucracies form lacks historical depth but ranges widely across the modern stage, and it offers a critique that a good leftist can use without simply watering down what a rightist might say—including his elegant “iron law of liberalism,” which holds that “any market force, any government initiative intended to reduce red tape and promote market forces will have the ultimate effect of increasing the total number of regulations, the total amount of paperwork, and the total number of bureaucrats the government employs.”

A sharp, oddly sympathetic and highly readable account of how big government works—or doesn’t work, depending on your point of view.

Pub Date: Feb. 24, 2015

ISBN: 978-1-61219-374-8

Page Count: 256

Publisher: Melville House

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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