The many admirers of Guterson’s Snow Falling on Cedars (1994) won’t be disappointed by this affecting, often superbly lyrical account of the final hunting trip undertaken by an elderly westerner dying of colon cancer. Echoes of Faulkner’s great story “The Bear” and even Tolstoy’s “The Death of Ivan Ilyich” resound throughout the painstakingly detailed description of the journey that 73-year-old Ben Givens plans to end with a suicide arranged to seem his accidental death. He’s a retired thoracic surgeon, recently bereft of his wife of 50 years, and a longtime resident of the Washington State wild country where he grew up on his father’s “apple farm.” Extended memory-flashbacks detail Ben’s closeness to his widowed father and elder brother (who would become a WWII casualty), and his idyllic love for sweetheart Rachel, who would serve as an army nurse in France while Ben saw combat duty in Italy, bringing away from the war years both his bride and a commitment to save lives instead of taking them. Guterson juxtaposes these memories against a sequence of experiences that challenge the moribund Ben’s resolve to die: he survives the wreck of his car and an attack by coyote-hunting wolfhounds; meets a couple who seem destined to live forever, a compassionate veterinarian, and, later, a tubercular migrant worker, then a girl enduring a dangerous childbirth—and learns that his life-giving skills remain unimpaired. The denouement feels both hurried and flat, and its ending uninspired—but it’s rescued time and again by the beauty and clarity of Guterson’s prose, a virtuosic blend of crisp declarative sentences and long, seductive, image-filled extended meditative statements. Thinly imagined but quite beautifully written—and (the nicely named) Ben Givens’s appealing integrity and compassion undoubtedly guarantee that his story will be another major popular and critical success. (First printing of 500,000; Literary Guild main selection; $500,000 ad/promo)
Pub Date: April 20, 1999
ISBN: 0-15-100229-0
Page Count: 288
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
The Brat Pack meets The Bacchae in this precious, way-too-long, and utterly unsuspenseful town-and-gown murder tale. A bunch of ever-so-mandarin college kids in a small Vermont school are the eager epigones of an aloof classics professor, and in their exclusivity and snobbishness and eagerness to please their teacher, they are moved to try to enact Dionysian frenzies in the woods. During the only one that actually comes off, a local farmer happens upon them—and they kill him. But the death isn't ruled a murder—and might never have been if one of the gang—a cadging sybarite named Bunny Corcoran—hadn't shown signs of cracking under the secret's weight. And so he too is dispatched. The narrator, a blank-slate Californian named Richard Pepen chronicles the coverup. But if you're thinking remorse-drama, conscience masque, or even semi-trashy who'll-break-first? page-turner, forget it: This is a straight gee-whiz, first-to-have-ever-noticed college novel—"Hampden College, as a body, was always strangely prone to hysteria. Whether from isolation, malice, or simple boredom, people there were far more credulous and excitable than educated people are generally thought to be, and this hermetic, overheated atmosphere made it a thriving black petri dish of melodrama and distortion." First-novelist Tartt goes muzzy when she has to describe human confrontations (the murder, or sex, or even the ping-ponging of fear), and is much more comfortable in transcribing aimless dorm-room paranoia or the TV shows that the malefactors anesthetize themselves with as fate ticks down. By telegraphing the murders, Tartt wants us to be continually horrified at these kids—while inviting us to semi-enjoy their manneristic fetishes and refined tastes. This ersatz-Fitzgerald mix of moralizing and mirror-looking (Jay McInerney shook and poured the shaker first) is very 80's—and in Tartt's strenuous version already seems dated, formulaic. Les Nerds du Mal—and about as deep (if not nearly as involving) as a TV movie.
Pub Date: Sept. 16, 1992
ISBN: 1400031702
Page Count: 592
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: July 1, 1992
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
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