A real-life tale of cops vs. hackers, by two technology writers with a flair for turning a complicated crime and investigation into a fast-moving, edge-of-your-seat story. Freedman (Brainmakers, 1994) and Mann (coauthor, Noah's Choice, 1995) tell the tale of a reclusive teenage hacker, alternatively dubbed Phantomd and Infomaster, who hopscotches around the Internet, breaking into systems and generally wreaking havoc online; his ``absurd, dangerous, monomaniacal course'' of trespassing on computer networks causes even his hacker cronies to fear him. With incisive descriptions and prose that's never overburdened by jargon, the authors chronicle the progression of Phantomd's online intrusions from university computers to Intel to top-secret government databases, and the federal investigation that finally nabs him. Unfortunately, the story loses steam at the end, when the FBI inexplicably decides not to have him prosecuted. Still, the book works because of the authors' skill at portraying their characters and building suspense and momentum from online events that are difficult to visualize. The best character, by far, is Phantomd himself, a disabled and massively antisocial youth who is capable of spending days at a time at his computer. As the hacker gets deeper and deeper into trouble, his brother tries futilely to save him, and the book takes on the dimensions of an information-age tragedy. Phantomd's last line, in particular, is heartbreaking, a testament to how the writers deftly recruit the reader's sympathy for the story's antagonist. Finally, the book becomes a portent: The authors make a strong case for the vulnerability of the Internet, describing its ``electronic Maginot lines'' and their inadequacy in the face of patient young invaders with powerful tools. With this extraordinary story and its hard-learned lessons, the authors should make more than a few of their readers wary of staking their privacy on the online world. (First serial to the Atlantic Monthly)
Pub Date: July 21, 1997
ISBN: 0-684-82464-7
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1997
BOOK REVIEW
BOOK REVIEW
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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