A journalist uncovers a sprawling conspiracy that may implicate the president of the United States in Rothman’s political suspense novel.
Jonathan Stone, a veteran reporter for the Washington Telegram, sets his investigative sights on a dangerous subject, Seymour “Sy” Solomon, a remarkably powerful and deep-pocketed real estate mogul who seems to be beloved by everyone; he’s widely admired for his self-propelled rise to riches and lauded everywhere for his philanthropic efforts. He’s even close friends with George McWilliams, Stone’s boss and the editor of the newspaper. Nevertheless, Stone finds it impossible to ignore the fact that Solomon, who owns half the federal office leases in Washington, D.C., keeps receiving lucrative government contracts—Stone’s gut tells him the man is a “born grabber.” The more Stone digs, the dirtier Solomon seems. For one, he has an uncomfortably close relationship with the General Services Administration (GSA), the government’s business and record-keeping agency; he also contributes campaign dollars to all the coffers of the members of Congress (irrespective of party affiliation) and maintains murky business ties to President Eddy Bullard. Moreover, an edifice Solomon built that now houses the Internal Revenue Service at Vulture’s Point on the Potomac is so poorly constructed it seems on the verge of collapse, a danger confirmed by Stone’s girlfriend (and obsessive lover of Kafka), Margo Danialson, a minor bureaucrat at GSA. Rothman unfurls a morbidly entangled conspiracy, one that includes murder, suicide, and a nuclear-energy scandal. In fact, there’s simply too much crammed into this novel, a surfeit of subplots, backstories, and dispensable characters. Still, Rothman captures the aura of dark nihilism in some quarters of the political world with great power. Here, Solomon casually acknowledges that his building will eventually fall: “Solomon shrugged and frowned like a pacifist accused of the My Lai massacre. ‘Of course it’s falling down. All buildings fall down someday. All people die someday.’” This is a riveting work, mordantly insightful and surprisingly entertaining.
A thoughtful and often comedically sharp reflection on political corruption.