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POSITIVELY 4TH STREET

THE LIVES AND TIMES OF JOAN BAEZ, BOB DYLAN, MIMI BAEZ FARIÑA, AND RICHARD FARIÑA

A strong and vivid portrait of some remarkable characters—and one that manages against the odds to get to the people behind...

Overweening ambition drives this insightful story of the 1950s folk music revival that anticipates the arrival of the 1960s counterculture.

By the end of the 1950s, American folk music (by such performers as Pete Seeger and Woody Guthrie) had established a small but loyal following. Entertainment Weekly editor Hajdu (Lush Life, 1996) believes that young people became interested in folk because of “its antihero mythos—a sense of the music as the property of outcasts.” College students who frequented the coffeehouses where folk began to flourish “were seeking something anti-intellectual” and would-be performers (including the Baez sisters, Richard Fariña, and Bob Dylan) flocked to the music because of its simple (and anti-commercial) approach. The charismatic Fariña was a promising writer who married folk singer Carolyn Hester and tried to hitch his wagon to her star (with little success), whereas Joan Baez (the “virgin princess”) haunted the Greenwich Village coffeehouses on 4th Street, shamelessly stole other singers’ material, and went on to fame. Mimi Baez coveted—and never came anywhere near—her sister Joan’s success. And Dylan (who came to New York in search of direction and found his model in Woody Guthrie) got his big break from Joan, who fell in love with him. Although the naked ambition of each these characters presents an unedifying spectacle throughout, Hadju saves his censure for Dylan, writing that the “irony of Robert Zimmerman’s metamorphosis into Bob Dylan lies in the application of so much elusion and artifice in the name of truth and authenticity.” Even so, Dylan appears more deluded than mendacious—a man who hid his identity because he was more confused than his audience about who he was.

A strong and vivid portrait of some remarkable characters—and one that manages against the odds to get to the people behind the egos.

Pub Date: June 1, 2001

ISBN: 0-374-28199-8

Page Count: 320

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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