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THE BEST AND THE BRIGHTEST

James Thurber once remarked that "we live in a time when in the moth-proof closet dwells the moth." It is a good lesson and could easily be the text for Halberstam's dazzling account of how some of the best and brightest men of our time—John F. Kennedy, Walt Whitman Rostow, the Bundy brothers, Robert McNamara, Dean Rusk, numerous other political illuminati of the '60's—were chewed up, some beyond mending, by a little moth named Vietnam.

It's a moth who ate so much so voraciously and so sneakily that he grew to be an unmanageable creature of monstrous proportions, capable of toppling presidents, visiting holocaust on an entire area of the world, and sucking dry the moral viscera of the great nation Amurrica. How did the moth do it? How was he able to chomp up and ingest everything in the Washington closet right under the collective perspicacity of the brainiest individuals to serve in government since the New Deal? Weren't these men educated at the swellest schools? Wasn't Rusk a Rhodes Scholar? Didn't Rostow write books which set even the Cambridge elite on its fabulous behind? Didn't such an oracle as Walter Lippmann him-self recommend McGeorge Bundy as Secretary of State? Hadn't they all learned at Groton and other Ivy way stations "what washes and what does not wash"? And, yes, wasn't it also true that even Lyndon B. Johnson, who became the hungry moth's favorite dish, was one of the nouveau best and brightest, notwithstanding Pedernales origins and San Marcos State Teachers College vita? All true, but the bug continued to gnaw the fabric—relentlessly. "Lyndon Johnson had lost it all, and so had the rest of them; they had, for all their brilliance and hubris and sense of themselves, been unwilling to look to and learn from the past...swept forward by their belief in the importance of anti-Communism (and the dangers of not paying sufficient homage to it)."

Halberstam's conclusions are not original—see Daniel Ellsberg's "Stalemate Machine" fueled by the "lesson of China" in Papers on the War—but his ability to interrelate the decisions and the policy-making processes with the makers' personalities and intellectual biases results in a tour de force of contemporary political journalism.

Pub Date: Nov. 16, 1972

ISBN: 0449908704

Page Count: 724

Publisher: Random House

Review Posted Online: Oct. 11, 2011

Kirkus Reviews Issue: Nov. 1, 1972

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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