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THE NEXT CENTURY

Name: THE NEXT CENTURY
Author: David Halberstam
ISBN: 0517098822

by David Halberstam ‧ RELEASE DATE: Feb. 20, 1990

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A short (224-page) series of low-key essays that offer random reflections on America's recent past rather than any systematic appreciation of what's in store for the country. Drawing on his experience as a globe-trotting journalist, Halberstam (Summer of '49, etc.) leaves little doubt that the US is losing a substantive measure of its socioeconomic power and geopolitical influence. Early on, for instance, he cites a contemporary's wry comment: "The Cold War is over; the Japanese won." In surveying the convulsive events in Eastern Europe and harking back to Vietnam, moreover, the author concludes that the threat posed by Communist states in the post-WW II era was more real than imagined; he fears, though, that the resources and emotional capital committed to keeping ideological enemies at bay proved unduly costly. In the meantime, Halberstam observes, Japanese manufacturers have been outhustling their stateside competitors in consumer as well as industrial markets where success now depends on advanced technologies, leaving a free press and freedom of speech as "the last great American export." Among other causes, he attributes the decline in US commerce to psychological factors (notably, a growing sense of entitlement on the part of a spendthrift populace) and a deteriorating educational system. The author also charges that the increasingly ubiquitous medium of TV has fostered a sound-bite culture that trivializes political debate and effectively precludes "thoughtful civility of discourse." But beyond the implicit suggestion that America had best get a grip on itself, Halberstam makes no specific proposals for renewal of the nation's putatively flagging fortunes. State-of-the-union jottings that, while sporadically analytic, afford a less than coherent perspective, owing mainly to their limited focus and oddly enervated tone.

Pub Date: Feb. 20, 1990

ISBN: 0517098822

Page Count: -

Publisher: Morrow/HarperCollins

Review Posted Online: Oct. 11, 2011

Kirkus Reviews Issue: Jan. 15, 1990

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE COLDEST WINTER
by David Halberstam

- BOOK REVIEW
THE TEAMMATES
by David Halberstam

- BOOK REVIEW
FIREHOUSE
by David Halberstam

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NUTCRACKER

by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996

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This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

Categories:

GENERAL NONFICTION

- BOOK REVIEW
THE NUTCRACKER AND THE MOUSE KING
by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson

- BOOK REVIEW
THE NUTCRACKER
by E.T.A. Hoffmann & illustrated by Julie Paschkis

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955

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An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.