In this regard, Bain offers useful footnotes to points raised by New Western historians such as Patricia Nelson Limerick and...
A slide show of a family trip west, with learned captions.
Bain (English/Middlebury Coll.) had plenty of reasons for heading westward: he’d written about the expansion of the American frontier in Empire Express (1999), an epic of the transcontinental railroad; he’d long been an ardent admirer of Mark Twain, whose spirit infused Bain’s first work, “and of course he had popped up again and again, like a hitchhiker, all along the old iron road.” Plus, he wanted to show his family the places he’d seen in the course of his research and was thus “seized with the idea of taking them out West.” The resulting travelogue, which mainly follows the old Emigrant Trail from Council Bluffs, Iowa, to San Francisco, doesn’t add up to much; it lacks the emotional investment, the hunger for self- and other-discovery, of comparable long-distance spins by, say, William Least Heat-Moon and Jonathan Raban, and it covers decidedly unexotic ground that would challenge even a top-flight storyteller—say, Ian Frazier, the laureate of the Plains. Yet Bain writes pleasantly enough, and he turns up sufficient historical oddments to please any fan of the Great American Road: the fact that Omaha, Nebraska, “is the birthplace of Marlon Brando, Malcolm X, and Fred Astaire, an unlikelier trio one could not hope to find but one that in a decidedly contrary way reflects on the city itself”; the curious career of the Swiss painter Karl Bodmer, whose 19th-century visions of the prairie must have induced many a romantic to make the journey there; the still more curious career of Jake Eaton, late of Grand Island, the “champion gum chewer of the world”; the birth of the Myth of the West in the work and persons of exemplars such as Owen Wister and Gary Cooper.
In this regard, Bain offers useful footnotes to points raised by New Western historians such as Patricia Nelson Limerick and Richard White. Otherwise, not much more than a slide show for those who were there.Pub Date: May 10, 2004
ISBN: 0-670-03308-1
Page Count: 446
Publisher: Viking
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2004
BOOK REVIEW
BOOK REVIEW
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.
Greed, depravity, and serial murder in 1920s Oklahoma.
During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.
Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.Pub Date: April 18, 2017
ISBN: 978-0-385-53424-6
Page Count: 352
Publisher: Doubleday
Review Posted Online: Feb. 1, 2017
Kirkus Reviews Issue: Feb. 15, 2017
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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