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BUTTERFLY SUNDAY

A gorgeous crazy quilt of a novel, filled with saints and sinners bent on mayhem, southern-style.

Against her will, a Mississippi preacher’s wife is drawn into a web of madness and murder.

Plagued by troubling visions after the mysterious death of her newborn daughter, Leona Sayres steels herself to murder her husband Averill—whom she believes strangled the infant, then buried the tiny body in the woods. Using rat poison, Leona slowly and skillfully does in the oblivious Averill, but she’s stricken with remorse when he suffers an agonizing death. There are others, meanwhile, who secretly rejoice that the fire-and-brimstone fundamentalist went to hell in a hurry, although there’s no shortage of mourners at his funeral. Averill Sayres was undeniably handsome and known for his sexually charged sermons. More than one woman in the congregation found a kind of sensual salvation in his arms—and would have been equally happy to tear out his cheatin’ heart. Now, a temporary sheriff, Blue Hudson, is brought in to investigate, and, later, shocked—but not surprised—to discover that there were a lot of people with reasons to kill Averill. He’s not at all sure that Leona did the deed, and her vulnerability softens his stalwart heart. Blue Hudson is a man as true as his first name (with a tragic history of his own, like everyone in this richly textured story), and he falls in love with Leona as he searches for the culprit. No one is above suspicion—except, perhaps, Leona’s friend Soames Churchill, the serene young widow of a wealthy and corrupt plantation owner. Soames, a consummate southern belle, is a porcelain-skinned beauty with impeccable taste in the clothes, antiques, and men she collects—although she’s not at all as well-bred and well-meaning as the gullible townsfolk believe. But who’s to tell? Enter Darthula, a poor, elderly black woman with “the sight,” who dresses in brilliantly-colored rags and lives in the haunted swamp—and knows what the respectable people in town most want to keep hidden. Will she reveal the truth at the dark heart of this elegantly constructed mystery? Trust Hill (Sacred Dust, 1996), a master of melodrama who deftly employs time shifts and a style at once spare and lurid, to unfold this gothic tale.

A gorgeous crazy quilt of a novel, filled with saints and sinners bent on mayhem, southern-style.

Pub Date: Nov. 14, 2000

ISBN: 0-385-31862-6

Page Count: 288

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 2000

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THE THINGS WE DO FOR LOVE

Heartfelt, yes, but pretty routine.

Life lessons.

Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.

Heartfelt, yes, but pretty routine.

Pub Date: July 1, 2004

ISBN: 0-345-46750-7

Page Count: 400

Publisher: Ballantine

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2004

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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