MAN IN THE WATER

Unlicensed St. Paul investigator Rushmore McKenzie and his wife, pianist Nina Truhler, accept an invitation to cruise the St. Croix River aboard their friend Dave Deese’s boat. You’ll never guess what they find.

From the moment Nina spots him, it’s perfectly obvious that Black landscaper Earl “E.J.” Woods is dead. But the four companies with which he’s taken out life insurance policies refuse to pay his much younger white second wife, Elizabeth Woods, the full value of those policies because they maintain that his death was a suicide. Nothing daunted, as a way to get the insurance companies to back down, Elizabeth sues Brad Heggstad, owner of the marina where Woods kept his boat, for criminal negligence in failing to take adequate safety measures. There’s no evidence that E.J. killed himself, though there’s also no evidence that he didn’t, apart from the strong conviction of schoolteacher Nevaeh Woods, E.J.’s daughter by his first wife, that her father was murdered. Acting on her behalf, McKenzie begins asking questions. The responses range from a note slipped under his windshield wiper (“MIND YOUR OWN BUSINESS OR ELSE!”) to more circumspect pushback (“There’s a very thin line between what’s charming and what’s obnoxious, Mr. McKenzie”). Eventually even Nevaeh changes her mind and decides not to pursue the matter any further, leaving McKenzie swimming against the current on his own. By the time he links E.J. to hints of smuggling and money laundering, two more people will be dead, and nobody’s eager to return to the St. Croix River.

A tangled, low-stakes case that’s a perfect vehicle for its hero’s why-ask-me brand.