SOMETHING WICKED

Unlicensed Minneapolis private eye Rushmore McKenzie answers a call to visit a disputed family home in rustic Redding for reasons that become less and less clear.

Jenness Crawford, who used to work at Nina Truhler’s trendy restaurant, Rickie’s, hates to ask, but she’s convinced that her grandmother Tess’ recent death was murder, and could McKenzie please come out to Redding Castle to poke around? Since McKenzie, nicely recovered from getting shot on the job, is Nina’s husband, it’s no stretch to get him to the castle, but there seems to be nothing for him to do. Tess was 87 and probably died of natural causes in her locked bedroom, and even if she didn’t, her body’s been cremated, and Deidre Gardner, an old friend of McKenzie’s from Minneapolis Homicide who’s now chief of the City of Redding Police, assures him there’d be no way to prove murder. It seems more likely that Jen wants McKenzie at the castle to help sway the relatives who are inclined to sell the place to developer Cassandra Boeve, maybe by acting as if he’s going to make an offer on it himself. Despite all the fuss kicked up by clashes between the White-supremacist Sons of Europa and the liberals of Redding Against Hate, everything seems to hinge on a vote among Tess’ five heirs. No sooner has the vote been taken, however, than one of the heirs is shot dead—no question of natural death this time—and the castle’s prize paintings by Frederick Remington and James McNeill Whistler vanish. Maybe McKenzie will find something to do after all.

So many inviting suspects that it really doesn’t matter which of them is guilty.