Fascinating, sometimes thrilling, reading.
A screenwriter explores the little-discussed rivalry between master illusionist Harry Houdini and a much-publicized Boston spirit medium named Margery Crandon.
Houdini was considered the greatest escape artist of the early 20th century, but by the 1920s, he turned his energies to unmasking spiritist frauds who claimed to have contact with the dead. Set against a backdrop of Jazz Age excess and anxiety, Jaher, in his first book, tells the story of Houdini’s epic confrontation with a spiritist whose popularity rivaled his own. World War I and the Spanish influenza laid waste to a generation of young men in Europe and left the world “teetering on the brink of a new dark age.” Observers like Sir Arthur Conan Doyle, who eventually became an ardent advocate of spiritualism (and friendly nemesis to Houdini), believed that the loss of so many loved ones would turn bereaved families seeking comfort “toward spirit communion.” While séances became all the rage on both sides of the Atlantic and Conan Doyle lectured on the “New Revelation,” reputable scientists began to explore the paranormal to determine the true nature of psychic phenomena. One particular group associated with Scientific American magazine put together a contest that would award $5,000 to anyone able to successfully prove his or her abilities. Among the judges was Houdini, whose career as a magician made him a formidable spiritist debunker. All but one medium tested by this group—the genteel Crandon—were conclusively demonstrated to be frauds. Through a combination of feminine seduction and illusionist skill that even Houdini admired, Crandon became the one psychic to almost win the respect of the scientific community and outshine Houdini as an entertainer. Jaher’s narrative style is as engaging as his character portraits are colorful. Together, they bring a bygone age and its defining spiritual obsessions roaring to life.
Fascinating, sometimes thrilling, reading.Pub Date: Oct. 6, 2015
ISBN: 978-0-307-45106-4
Page Count: 432
Publisher: Crown
Review Posted Online: July 6, 2015
Kirkus Reviews Issue: Aug. 1, 2015
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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