With memorable characters, deft plotting, and an attention to detail, Joy has written a powerful work of crime fiction.
This slow-burning thriller tracks disparate lives affected by a drug empire in western North Carolina.
Early in Joy’s latest novel, an aging white man named Raymond Mathis drives into the Qualla Boundary and reflects on the history of the Cherokee. The narration moves inside Raymond’s thoughts as he ponders the region: “It was a continuum. The government had never stopped shitting on natives. There was not a single moment in history solid enough to build any sort of trust upon.” Raymond is en route to pick up his son, a lifelong addict who has run afoul of a local drug kingpin. It’s a familiar scene—straight-and-narrow father bails out his tragically flawed son—but the focus is on the complex and harrowing history the two men share in a region with a complex and harrowing history all its own. Joy’s novel encompasses the perspectives of a number of people in this community, with Raymond being one of the book’s two central characters. The other is Denny Rattler, a Cherokee man who’s fallen into a life of heroin addiction and petty crime after a workplace accident. When Raymond’s son relapses and dies, it sets the older man on a path of vengeance. Despite the presence of a few hissable villains, drug kingpins and corrupt cops among them, Joy makes the flaws of Raymond’s approach readily apparent—including a scene displaying the unpleasant collateral damage it results in. It’s Denny who emerges as the book’s most complex character and the one who drives the plot toward its satisfying conclusion.
With memorable characters, deft plotting, and an attention to detail, Joy has written a powerful work of crime fiction.Pub Date: Aug. 18, 2020
ISBN: 978-0-525-53688-8
Page Count: 272
Publisher: Putnam
Review Posted Online: June 2, 2020
Kirkus Reviews Issue: June 15, 2020
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
Uneven but fitfully amusing.
Betrayed by her husband, a severely depressed young woman gets drawn into the over-the-top festivities at a lavish wedding.
Phoebe Stone, who teaches English literature at a St. Louis college, is plotting her own demise. Her husband, Matt, has left her for another woman, and Phoebe is taking it hard. Indeed, she's determined just where and how she will end it all: at an oceanfront hotel in Newport, where she will lie on a king-sized canopy bed and take a bottle of her cat’s painkillers. At the hotel, Phoebe meets bride-to-be Lila, a headstrong rich girl presiding over her own extravagant six-day wedding celebration. Lila thought she had booked every room in the hotel, and learning of Phoebe's suicidal intentions, she forbids this stray guest from disrupting the nuptials: “No. You definitely can’t kill yourself. This is my wedding week.” After the punchy opening, a grim flashback to the meltdown of Phoebe's marriage temporarily darkens the mood, but things pick up when spoiled Lila interrupts Phoebe's preparations and sweeps her up in the wedding juggernaut. The slide from earnest drama to broad farce is somewhat jarring, but from this point on, Espach crafts an enjoyable—if overstuffed—comedy of manners. When the original maid of honor drops out, Phoebe is persuaded, against her better judgment, to take her place. There’s some fun to be had here: The wedding party—including groom-to-be Gary, a widower, and his 11-year-old daughter—takes surfing lessons; the women in the group have a session with a Sex Woman. But it all goes on too long, and the humor can seem forced, reaching a low point when someone has sex with the vintage wedding car (you don’t want to know the details). Later, when two characters have a meet-cute in a hot tub, readers will guess exactly how the marriage plot resolves.
Uneven but fitfully amusing.Pub Date: July 30, 2024
ISBN: 9781250899576
Page Count: 384
Publisher: Henry Holt
Review Posted Online: Sept. 13, 2024
BOOK REVIEW
BOOK REVIEW
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.
A successful Vermont podcaster who’s elicited confessions from dozens of criminals finds herself on the other side of the table, in the hottest of hot seats, over her own troubled past.
Poe Webb was only 13 when she saw her mother, Margaret McMillian, get stabbed to death by the man she’d picked up for a quickie. Poe had vowed revenge, but how could a kid find and avenge herself on a stranger who’d vanished as quickly as he appeared? In the long years since then, Poe’s made a name for herself as a top true-crime podcaster who routinely invites her guests to tell her audience exactly what they did. Now, she’s being pressed, and pressed hard, by Ian Hindley, whose fake name echoes those of England’s Moors Murderers, to join him in a livestream her fans will find riveting because, as Hindley tells her, he’s actually Leopold Hutchins, the pickup who stabbed her mother 14 times when she failed to use her safe word. Skeptical? Hindley knows endless details about the killing that were never released by the police. If Poe won’t do the broadcast, Hindley threatens to harm everyone she loves: her father; her producer and lover, Kip Nguyen; and her black Lab, Bailey. And there’s one more complication that makes the pressure on Poe even more unbearable. Seven years ago, against all odds, she succeeded in tracking Leopold Hutchins from Burlington to New York and killing him herself. In fact, it’s that murder that Hindley most wants her to talk about. Which bully is more fearsome, the man who’s threatening her or the man she killed?
Better set aside several uninterrupted hours for this toxic rocket. You’ll be glad you did.Pub Date: Jan. 14, 2025
ISBN: 9781464226229
Page Count: 448
Publisher: Poisoned Pen
Review Posted Online: Nov. 9, 2024
Kirkus Reviews Issue: Dec. 15, 2024
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