An absorbing account of early dinosaur discoveries and their cultural legacies.
The story of the world’s most iconic dinosaur.
The central human figure in this book is a man named Barnum Brown (1873-1963), who transcended his humble upbringing on a Kansas farm to become one of the nation’s most accomplished paleontologists. Reuters senior reporter Randall, author of Black Death at the Golden Gate, among other books, offers an astute and entertaining account of Brown’s indefatigable pursuit of fossils and the intense competition he entered into with rival hunters. The author sets Brown’s major discoveries against a broader consideration of the cultural significance of his greatest find, in 1900: the first partial skeleton of a Tyrannosaurus rex, “the largest known predator in Earth’s history.” Randall carefully outlines the shifts in scientific understanding prompted by the appearance of this “monster,” and he makes a persuasive case for its profound impact on our conception of the history of life on Earth. As he notes, “the thud with which its discovery landed and shifted our understanding of ourselves and our planet reverberates still.” The author vividly renders the early and ongoing commercial appeal of T. rex, and a prominent theme is the often contentious intersection of science and big business in the fossil trade: Museums and private collectors began to contend fiercely for specimens in the late 19th century, with the fearsome T. rex becoming, after Brown’s discovery, the most prized target. Also memorable are Randall’s investigations of some of the most colorful personalities in the burgeoning field of dinosaur studies, including the infamous combatants in the so-called Bone Wars, Othniel Charles Marsh and Edward Drinker Cope, whose struggles for personal distinction were often outrageously unscrupulous. In the epilogue, Randall charts the dramatic growth of the T. rex industry over the past century or so, underscoring the importance of Brown’s pioneering efforts.
An absorbing account of early dinosaur discoveries and their cultural legacies.Pub Date: June 7, 2022
ISBN: 978-1-324-00653-4
Page Count: 288
Publisher: Norton
Review Posted Online: March 18, 2022
Kirkus Reviews Issue: April 15, 2022
An ebullient nature lover’s paean to birds.
A charming bird journey with the bestselling author.
In his introduction to Tan’s “nature journal,” David Allen Sibley, the acclaimed ornithologist, nails the spirit of this book: a “collection of delightfully quirky, thoughtful, and personal observations of birds in sketches and words.” For years, Tan has looked out on her California backyard “paradise”—oaks, periwinkle vines, birch, Japanese maple, fuchsia shrubs—observing more than 60 species of birds, and she fashions her findings into delightful and approachable journal excerpts, accompanied by her gorgeous color sketches. As the entries—“a record of my life”—move along, the author becomes more adept at identifying and capturing them with words and pencils. Her first entry is September 16, 2017: Shortly after putting up hummingbird feeders, one of the tiny, delicate creatures landed on her hand and fed. “We have a relationship,” she writes. “I am in love.” By August 2018, her backyard “has become a menagerie of fledglings…all learning to fly.” Day by day, she has continued to learn more about the birds, their activities, and how she should relate to them; she also admits mistakes when they occur. In December 2018, she was excited to observe a Townsend’s Warbler—“Omigod! It’s looking at me. Displeased expression.” Battling pesky squirrels, Tan deployed Hot Pepper Suet to keep them away, and she deterred crows by hanging a fake one upside down. The author also declared war on outdoor cats when she learned they kill more than 1 billion birds per year. In May 2019, she notes that she spends $250 per month on beetle larvae. In June 2019, she confesses “spending more hours a day staring at birds than writing. How can I not?” Her last entry, on December 15, 2022, celebrates when an eating bird pauses, “looks and acknowledges I am there.”
An ebullient nature lover’s paean to birds.Pub Date: April 23, 2024
ISBN: 9780593536131
Page Count: 320
Publisher: Knopf
Review Posted Online: Jan. 19, 2024
Kirkus Reviews Issue: Feb. 15, 2024
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SEEN & HEARD
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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