Good stories, great interviews, and a potent plea on behalf of vigilant listening.
A Pulitzer Prize winner surveys the American cultural and political landscape and asks if “the freedom to hear” remains intact.
Near the end of his narrative, Shipler (Rights at Risk: The Limits of Liberty in Modern America, 2012, etc.) thanks one of his many interview subjects for her time, and she in turn thanks him for his attention: “The listener is everything in telling a story.” The remark serves as both apt praise for his alert reportorial skills and as a succinct expression of the focus of this odd-angle take on freedom of speech. The author features a wide variety of writers and speakers who inject ideas, information, disinformation, prejudice, and fear into the marketplace, but he also focuses on the marketplace itself, on those auditors who wish to hear no “evil,” no truth, nothing at all discomfiting to their own views. Shipler surveys the limits of what is legally, economically, and culturally permissible, looking, for example, at what happens when parents challenge the inclusion of controversial books in the high school curriculum; when government employees, and the reporters to whom they leak, expose classified information; when a Washington, D.C., theater stages performances about Arabs and Jews that address the historical narratives of both sides. The author explores the fallout from political speech corrupted by outright deceit and the connection between money and political expression. He discovers a pattern in “the cultural limits of bigotry” in which the innuendos of right-wing radio talkers go uncensored while the careless one-time remarks of a blue-collar worker or a small-town official become occasions for firing. Of course, no bigot identifies as one, any more than would-be censors identify as free speech opponents. Rather, they object to certain speech, citing a more important value, say, protecting children or national security or fairness. Shipler describes himself as the closest thing to an “absolutist on the First Amendment as possible without quite being one.”
Good stories, great interviews, and a potent plea on behalf of vigilant listening.Pub Date: May 12, 2015
ISBN: 978-0-307-95732-0
Page Count: 352
Publisher: Knopf
Review Posted Online: March 4, 2015
Kirkus Reviews Issue: March 15, 2015
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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