NICA'S DREAM

Music historian and educator Kastin (I Hear America Singing: An Introduction to Popular Music, 2001) narrates the life of Kathleen Annie Pannonica (Nica) Rothschild (1913–1988), an heiress who fell in love with American jazz and soon became a sort of fairy godmother to some of the form’s greatest names, principally Charlie Parker and Thelonious Monk.

The author begins with the most controversial moment in Nica’s life: the shocking death in 1955 of Parker, 34, in her New York hotel room. The event propelled her onto the front pages and raised many eyebrows (including, respectfully, Kastin’s, who doubts Nica had sexual relations with her musician friends). The author is stymied throughout by the reluctance of Nica’s children to grant interviews—or even to permit access to their mother’s rich archive of recordings and papers. But he goes with what he has, which is considerable. Kastin chronicles the rise of the Rothschilds, Nica’s family, her marriage, notable service in World War II, motherhood, divorce and her absolute devotion to jazz—and to the many musicians she befriended and subsidized. Night after night, she parked her Rolls (later, a Bentley) outside the clubs; she opened her hotel rooms and (later) her house to all-night jam sessions; she helped rescue Monk from oblivion, saw him enjoy a long period of soaring popularity, endured and supported him during his various psychological crises and allowed him to board for protracted times with her. Along the way, Kastin introduces us to just about every major figure in American jazz (Dizzy Gillespie, John Coltrane, Art Blakey et al.)—and a few notable fans as well (Norman Mailer and Leonard Bernstein, among others).

Though this is putatively Nica’s story, neither the author nor readers can long avert attention from mesmerizing Monk and the other Olympians of bebop.