A devilishly satisfying work of twisted comedy starring the exploits of an unrepentant alcoholic joker.
In Kempf’s horror novel, a troubled addict adds revenge to his long list of missteps.
Prolific horror writer Kempf’s knack for deft characterization is on vivid display with his Pennsylvanian protagonist Jack Lively, a recovering alcoholic, raging drunk driver, wife batterer, father of one, and “three-time loser.” After a series of drunken blackouts and arrests, resulting in “three DUIs in two years,” he is placed on nine months of house arrest. Oddly, he is allowed a travel radius that includes a small bar where he performs onstage. Lively is a comedian whose penchant for raunchy black humor often leaves audiences angry. Adding misery on top of despair is Emily—his embittered “heartless, cruel, and mean” ex-wife—for whom he harbors a seething resentment despite the temporary relief found at Twelve Steps meetings and regular romps with Riley, a local escort. Between check-up visits from his community corrections officer and random breathalyzer tests, recurring dreams of murdering Emily haunt him. While his comedy routine is consistently offensive (including a skit involving a bloody stuffed bunny), Lively’s interactions with his appalled, heckling audiences result in several rousing sequences in Kempf’s short novel. Also notable is the author’s realistic portrayal of Lively’s alcoholism, which manifests itself in painful cravings he calls his “sleeping giant.” In the ultimate vengeance ruse to rob and murder Emily, Lively conspires with Riley, who desperately needs a cash infusion to repay her pimp, and the expected mayhem ensues. Kempf’s first-person narration dives deep into Lively’s psyche to expose his fear of failure, his devotion to alcohol, and the dark, murderous nature of a revenge plot. The author manages to evoke sympathy for his protagonist within his innate struggle to survive and to make sense of his misled life. In Kempf’s world, there are no happy endings, but there are unquestionable comeuppance and wry humor in spades. This potent novel will appeal particularly to fans of bleak humor and bad-guy characters who remain shameless from beginning to end.
A devilishly satisfying work of twisted comedy starring the exploits of an unrepentant alcoholic joker.Pub Date: Dec. 1, 2020
ISBN: N/A
Page Count: 172
Publisher: Graylyn Press
Review Posted Online: May 25, 2021
Review Program: Kirkus Indie
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.
A young woman’s experience as a nurse in Vietnam casts a deep shadow over her life.
When we learn that the farewell party in the opening scene is for Frances “Frankie” McGrath’s older brother—“a golden boy, a wild child who could make the hardest heart soften”—who is leaving to serve in Vietnam in 1966, we feel pretty certain that poor Finley McGrath is marked for death. Still, it’s a surprise when the fateful doorbell rings less than 20 pages later. His death inspires his sister to enlist as an Army nurse, and this turn of events is just the beginning of a roller coaster of a plot that’s impressive and engrossing if at times a bit formulaic. Hannah renders the experiences of the young women who served in Vietnam in all-encompassing detail. The first half of the book, set in gore-drenched hospital wards, mildewed dorm rooms, and boozy officers’ clubs, is an exciting read, tracking the transformation of virginal, uptight Frankie into a crack surgical nurse and woman of the world. Her tensely platonic romance with a married surgeon ends when his broken, unbreathing body is airlifted out by helicopter; she throws her pent-up passion into a wild affair with a soldier who happens to be her dead brother’s best friend. In the second part of the book, after the war, Frankie seems to experience every possible bad break. A drawback of the story is that none of the secondary characters in her life are fully three-dimensional: Her dismissive, chauvinistic father and tight-lipped, pill-popping mother, her fellow nurses, and her various love interests are more plot devices than people. You’ll wish you could have gone to Vegas and placed a bet on the ending—while it’s against all the odds, you’ll see it coming from a mile away.
A dramatic, vividly detailed reconstruction of a little-known aspect of the Vietnam War.Pub Date: Feb. 6, 2024
ISBN: 9781250178633
Page Count: 480
Publisher: St. Martin's
Review Posted Online: Nov. 4, 2023
Kirkus Reviews Issue: Dec. 1, 2023
PERSPECTIVES
BOOK TO SCREEN
SEEN & HEARD
A pulpy throwback that shines a light on abuses even magic can’t erase.
Hung out to dry by the elders who betrayed them, a squad of pregnant teens fights back with old magic.
Hendrix has a flair for applying inventive hooks to horror, and this book has a good one, chock-full with shades of V.C. Andrews, The Handmaid’s Tale, and Foxfire, to name a few. Our narrator, Neva Craven, is 15 and pregnant, a fate worse than death in the American South circa 1970. She’s taken by force to Wellwood House in Florida, a secretive home for unwed mothers where she’s given the name Fern. She’ll have the baby secretly and give it up for adoption, whether she likes it or not. Under the thumb of the house’s cruel mistress, Miss Wellwood, and complicit Dr. Vincent, Neva forges cautious alliance with her fellow captives—a new friend, Zinnia; budding revolutionary Rose; and young Holly, raped and impregnated by the very family minister slated to adopt her child. All seems lost until the arrival of a mysterious bookmobile and its librarian, Miss Parcae, who gives the girls an actual book of spells titled How To Be a Groovy Witch. There’s glee in seeing the powerless granted some well-deserved payback, but Hendrix never forgets his sweet spot, lacing the story with body horror and unspeakable cruelties that threaten to overwhelm every little victory. In truth, it’s not the paranormal elements that make this blast from the past so terrifying—although one character evolves into a suitably scary antagonist near the end—but the unspeakable, everyday atrocities leveled at children like these. As the girls lose their babies one by one, they soon devote themselves to secreting away Holly and her child. They get some help late in the game but for the most part they’re on their own, trapped between forces of darkness and society’s merciless judgement.
A pulpy throwback that shines a light on abuses even magic can’t erase.Pub Date: Jan. 14, 2025
ISBN: 9780593548981
Page Count: 496
Publisher: Berkley
Review Posted Online: Oct. 26, 2024
Kirkus Reviews Issue: Dec. 1, 2024
BOOK REVIEW
BOOK REVIEW
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