Engaging characters deal with disaster in this swiftly paced, well-written thriller.
A billionaire and a suburban family struggle to survive when power goes out around the globe.
This brisk thriller is set a few years in the future, after the world has been through the coronavirus pandemic and thinks it’s learned how to handle disaster. It hasn’t. A coronal mass ejection on the sun isn’t an unusual event, but this time one sends out a massive cloud of solar plasma aimed straight at Earth. Scientists at the National Oceanic and Atmospheric Administration see it coming and know it will fry electrical grids around the globe. Their attempts to shut down systems to protect them are shrugged off by anti-science politicians, and the world goes dark. No electricity means no internet, no phones, no TV or radio, no supply chain—“Everything from a nuclear power plant to your coffeepot,” one expert says. “If it’s connected to the grid and turned on, it will blow.” Thom Banning is prepared for the catastrophe. A tech billionaire, he’s purchased a disused missile silo and spent $30 million to convert it to a secure underground bunker big enough to house a village—of Thom’s choosing. He and his family, plus selected employees, evacuate to the bunker and settle in, but things will not go exactly as Thom planned. Meanwhile, Aubrey Wheeler is not prepared at all. She’s been busy trying to steer her conference business through the pandemic, avoid her creepy ex-husband, Rusty, and cope with Rusty’s son, Scott. The boy is a typically surly teenager but wisely chose to stay with his stepmother when she and his father, who’s addicted to just about everything you can be addicted to, divorced. When the power goes out in their Illinois suburb, all Aubrey has on her emergency shelf is 11 cans of black beans. Koepp, a successful screenwriter (Jurassic Park, Spider-Man), brings those skills to this novel, crafting carefully placed revelations about the characters’ relationships and the bursts of violence in their increasingly chaotic world into an exciting and satisfying tale.
Engaging characters deal with disaster in this swiftly paced, well-written thriller.Pub Date: June 7, 2022
ISBN: 978-0-06-291-647-1
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: April 11, 2022
Kirkus Reviews Issue: May 1, 2022
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Amateurish, with a twist savvy readers will see coming from a mile away.
A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
BOOK REVIEW
BOOK REVIEW
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