A charming, wistful story that evokes simpler times.
A tender debut novella that captures the doubts and imagination of a 12-year-old boy living in the Arizona Territory.
Darius Mallen wants so very much to be a well-behaved, responsible young boy. But once he gets into his father’s “Studebaker Junior” wagon, pulled by the amiable and swift-footed goat Dodie, he just can’t resist competing with Big Otis Sompkins. Both boys deliver goods from their fathers’ respective businesses. On his wagon—with his Jack Russell terrier, Jersey, riding shotgun and egging on Dodie—Darius shines despite his slight stature and withered right foot. Unfortunately, the races through town are upsetting the local folk, who must jump out of the way. When the sheriff has had enough, he threatens to haul Darius and Otis into jail. Darius’ uncle proposes a solution: they will hold a goat race on the first day of the town’s major annual festival. The winner will hold the title King of the Race, and the boys will promise to never again race through town. Optimistic and sure of his prowess as wagon master, Darius indulges in visions of cheering crowds as he crosses the finish line. The sheriff tells Darius he has a substantial bet on his victory and that he had better win. The boy’s exhilaration turns to terror. Within the space of two short chapters, Koss manages to evoke the innocence, insecurity, and bravado of those fleeting moments between childhood and adolescence. And although the prose is simple and unadorned, Koss successfully creates the excitement of the race itself in blow-by-blow detail: “Slamming into the wash, Darius felt his wagon grind to a stop as the mud dragged and swallowed the bottoms of his wheels. Dodie, bleating loudly in shock and alarm, struggled against the harness, lost her footing, and fell.” An efficient wordsmith, Koss manages to define the essential difference between the two boys through one incident: Darius pauses racing to stop Otis from whipping his bleating goat, Blueberry.
A charming, wistful story that evokes simpler times.Pub Date: N/A
ISBN: N/A
Page Count: 50
Publisher: CreateSpace
Review Posted Online: Dec. 13, 2017
Kirkus Reviews Issue: Feb. 1, 2018
Review Program: Kirkus Indie
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
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