Harrison relates some of his most memorable moments through poetry, both free verse and rhyming. Arranged chronologically and annotated with personal comments, the poems, although taken from Harrison’s own life, are meant to convey such common life experiences as moving and starting a new school, the loss of a friend, beginning interest in girls, marriage and fatherhood and they’re also intended to make children wonder how they will feel about these experiences in the future. Despite the poet’s simplicity and eager attempts at showing children what’s ahead, a lovely poem like “Night Songs,” about the slumber of a couple married for 43 years, will be lost on young readers. Unfortunately, other poems more suitable to the intended audience fall flat. Equally dull are the pencil sketches that appear throughout. For a stellar autobiography told through poetry, try Lee Bennett Hopkins’s Been to Yesterdays (1995). (Poetry. 10-13)
Pub Date: Nov. 1, 2004
ISBN: 1-59078-260-7
Page Count: 64
Publisher: Wordsong/Boyds Mills
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 15, 2004
Personal but personable, too, with glints of quiet humor.
In a wryly introspective vein, a cartoonist offers a four-season round of illustrated observations on topics as varied as clouds, school, and the search for a perfect pumpkin.
“I want to put down / on paper the feeling / of fresh possibilities,” Snider writes in his “Spring” section. With reflections on the tricky art of writing poems serving as a thematic refrain, he goes on in a seasonal cycle to explorations of nature (“How do the birds / decide where / to alight?”), indoor activities (“In wool socks on thick carpet / I am MR. ELECTRIC”), and common experiences, from loading up a gigantic backpack with new books for the first day of school to waiting…and waiting…and waiting for a bus in the rain. He also invites readers to consider broad ideas, such as the rewards of practicing and the notion that failure can lead to the realization that “I’m still a work in progress.” Snider writes mostly in free verse but does break into rhyme now and then for the odd sonic grace note. Though he identifies only one entry as an actual haiku, his tersely expressed thoughts evoke that form throughout. His art is commensurately spare, with depictions of slender, dot-eyed, olive-skinned figures, generally solitary and of indeterminate age, posing balletically in, mostly, squared-off sequential panels making up mini-narratives of one to three pages.
Personal but personable, too, with glints of quiet humor. (Graphic poetry. 10-13)Pub Date: March 26, 2024
ISBN: 9781797219653
Page Count: 96
Publisher: Chronicle Books
Review Posted Online: Dec. 6, 2023
Kirkus Reviews Issue: Jan. 1, 2024
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PERSPECTIVES
This oversized companion to the much ballyhooed My Very First Mother Goose (1996) will take toddlers and ex-toddlers deeper into the playscapes of the language, to meet Old King Cole, Old Mother Hubbard, and Dusty Bill From Vinegar Hill; to caper about the mulberry bush, polka with My Aunt Jane, and dance by the light of the moon. Mixing occasional humans into her furred and feathered cast, Wells creates a series of visual scenarios featuring anywhere from one big figure, often dirty or mussed, to every single cat on the road to St. Ives (over a thousand). Opie cuts longer rhymes down to two or three verses, and essays a sly bit of social commentary by switching the answers to what little girls and boys are made of. Though Wells drops the ball with this last, legitimizing the boys’ presence in a kitchen by dressing them as chefs, in general the book is plainly the work of a match made in heaven, and merits as much popularity as its predecessor. (Folklore. 1-6)
Pub Date: Oct. 1, 1999
ISBN: 0-7636-0683-9
Page Count: 107
Publisher: Candlewick
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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