A bookend of sorts to Bruce Duffy’s fine novel The World as I Found It (1987); full of psychological insight though not much...
Lagercrantz, heir to Stieg Larsson and author of the latest Lisbeth Sander installment, The Girl in the Spider’s Web (2015), turns to a mystery of another sort.
Wilmslow, near Manchester, is a gloomy sort of northern place, about right for a suicide. (Just ask Ian Curtis.) That’s the opening gambit of Lagercrantz’s long, pensive meditation on the life and death of the mathematician Alan Turing, who famously did himself in with a cyanide-laced apple. Apple in the garden, Fall of Man: the obvious allusion would have worked better, perhaps, if Turing himself had seen any particularly grand lesson in death other than escape from some particularly ill treatment, for he was chemically castrated as punishment for being homosexual in a Britain that would later repent that terrible injustice to a man who, after all, had helped bring down Nazi Germany. Lagercrantz adds further psychological dimension to the story by introducing DC Leonard Corell, a dour sort who becomes gloomier on contemplating the corpse. As he questions why Turing should have killed himself, he implicates an unhappy family life, disbelieving parents, sniffy associates (“Alan found it hard to blend in. He couldn’t play along, to be blunt”), and intelligence operatives who, now that the enemy has shifted from Germany to Russia, still have a stake in keeping Turing’s secrets secret. The story and its possibilities (was Turing murdered? were his assignations with Soviet spies?) beg for the taut handling of a John le Carré, Alan Furst, or Graham Greene, but Lagercrantz lets things drift on a bit too long and a bit too talkily to keep the necessary tension. Better, though, is his quietly suggestive depiction of how the investigation affects the investigator; says one colleague to Corell, “This whole Alan Turing business seems to have become something very personal for you,” to which the reader will sagely nod, ah, if you only knew….
A bookend of sorts to Bruce Duffy’s fine novel The World as I Found It (1987); full of psychological insight though not much action.Pub Date: May 3, 2016
ISBN: 978-1-101-94669-5
Page Count: 368
Publisher: Knopf
Review Posted Online: March 1, 2016
Kirkus Reviews Issue: March 15, 2016
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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