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TWO BOYS KISSING

It’s well-intentioned and inspiring, but it doesn't push any boundaries.

Gay past and gay present collide.

Right from the start readers will know something weird is going on with Levithan’s latest. The narrator(s) refers to themselves as “us,” and readers will soon deduce that it’s the Kushner-esque collective voice of a gay generation from decades before, one that was ravaged by AIDS, anger, politics and more. It’s through their lens that this story of seven boys from the present is told. The first two—whose activities are imparted in the work’s title—are Craig and Harry. They’re out to break the world’s kissing record (32 hours, 12 minutes and 9 seconds) to protest a hate crime enacted upon their friend. They’re not a couple anymore, and Craig still smarts from the breakup. A second pair—Peter and Neil—have been a couple for a while, but that doesn’t mean their relationship is perfect. Pink-haired trans Avery and blue-haired Ryan meet at an alternative LGBT prom, and sparks fly. All the while, Cooper, kicked out of his parents’ house and obsessed with gay-hookup apps, suffers alone. The story drifts back and forth and among these seven youth under the watchful, occasionally curmudgeonly voice of the past, which weighs down the narrative too much at times. The novel has genuine moments of insight and wisdom, but it feels calculated and lacks the spontaneity that made Levithan’s first two novels so magical. Still, fans of his earlier works will appreciate the familiar tone, characters and themes they’ve come to love over the years.

It’s well-intentioned and inspiring, but it doesn't push any boundaries. (Fiction. 14 & up)

Pub Date: Aug. 27, 2013

ISBN: 978-0-307-93190-0

Page Count: 208

Publisher: Knopf

Review Posted Online: June 25, 2013

Kirkus Reviews Issue: July 15, 2013

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IF HE HAD BEEN WITH ME

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.

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  • New York Times Bestseller

The finely drawn characters capture readers’ attention in this debut.

Autumn and Phineas, nicknamed Finny, were born a week apart; their mothers are still best friends. Growing up, Autumn and Finny were like peas in a pod despite their differences: Autumn is “quirky and odd,” while Finny is “sweet and shy and everyone like[s] him.” But in eighth grade, Autumn and Finny stop being friends due to an unexpected kiss. They drift apart and find new friends, but their friendship keeps asserting itself at parties, shared holiday gatherings and random encounters. In the summer after graduation, Autumn and Finny reconnect and are finally ready to be more than friends. But on August 8, everything changes, and Autumn has to rely on all her strength to move on. Autumn’s coming-of-age is sensitively chronicled, with a wide range of experiences and events shaping her character. Even secondary characters are well-rounded, with their own histories and motivations.

There’s not much plot here, but readers will relish the opportunity to climb inside Autumn’s head.   (Fiction. 14 & up)

Pub Date: April 1, 2013

ISBN: 978-1-4022-7782-5

Page Count: 336

Publisher: Sourcebooks Fire

Review Posted Online: Feb. 12, 2013

Kirkus Reviews Issue: March 1, 2013

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INDIVISIBLE

An ode to the children of migrants who have been taken away.

A Mexican American boy takes on heavy responsibilities when his family is torn apart.

Mateo’s life is turned upside down the day U.S. Immigration and Customs Enforcement agents show up unsuccessfully seeking his Pa at his New York City bodega. The Garcias live in fear until the day both parents are picked up; his Pa is taken to jail and his Ma to a detention center. The adults around Mateo offer support to him and his 7-year-old sister, Sophie, however, he knows he is now responsible for caring for her and the bodega as well as trying to survive junior year—that is, if he wants to fulfill his dream to enter the drama program at the Tisch School of the Arts and become an actor. Mateo’s relationships with his friends Kimmie and Adam (a potential love interest) also suffer repercussions as he keeps his situation a secret. Kimmie is half Korean (her other half is unspecified) and Adam is Italian American; Mateo feels disconnected from them, less American, and with worries they can’t understand. He talks himself out of choosing a safer course of action, a decision that deepens the story. Mateo’s self-awareness and inner monologue at times make him seem older than 16, and, with significant turmoil in the main plot, some side elements feel underdeveloped. Aleman’s narrative joins the ranks of heart-wrenching stories of migrant families who have been separated.

An ode to the children of migrants who have been taken away. (Fiction. 14-18)

Pub Date: May 4, 2021

ISBN: 978-0-7595-5605-8

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Feb. 22, 2021

Kirkus Reviews Issue: March 15, 2021

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