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THE LIGHT OF REASON

From the The Seekers series , Vol. 3

An enthralling finish to a thoughtful, uplifting sci-fi series.

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The finale to The Seekers trilogy finds Litwack’s (The Stuff of Stars, 2015, etc.) heroes returning to their home of Little Pond, hoping to wrest it from religious fanatics.

A fractured world suffers from spiritual and intellectual darkness. After avoiding war between two tribes across the sea, Orah and Nathaniel sail home to Little Pond. Their vessel is designed by the dreamers—whose minds have merged into a state beyond the physical—and carries more than 30 people, including Kara, mistress of the dreamers’ advanced technology, and Caleb, leader of the builders and warriors dedicated to living in harmony with nature. Also with the group is an “opaque black cube” with “bits of lightning flashing inside like a captive storm.” This device contains some of the disembodied dreamers, who will advise Kara and the seekers on how to handle the repressive Temple of Light. When Orah and her husband reach home, they find Nathaniel’s father a fugitive from the new regime, which denies individuals the freedom to think, feel, or even dress as the spirit craves. When they ask about their friend, the musician Thomas, they’re told, “He’s gone to a darker place.” To save him, the seekers marshal an army to march from Little Pond to Temple City, where the vicars are based. In this third installment, Litwack gives fans a plot both action-driven and cerebral. Though Caleb says, “no change comes without the shedding of blood,” Orah refuses to torture a captive deacon. Instead, they treat the man humanely, and he experiences the seekers’ philosophy firsthand. Portrayals of violence and its consequences will resonate with readers; after a battle, the living “suffered in silence, as if in sympathy with those silenced forever.” Litwack excels in poeticizing his themes with lines like, “If we are the stuff of stars, how can we act like beasts of the field?” All around, a superbly crafted adventure.

An enthralling finish to a thoughtful, uplifting sci-fi series.

Pub Date: Nov. 17, 2016

ISBN: 978-1-62253-438-8

Page Count: -

Publisher: Evolved Publishing

Review Posted Online: March 4, 2017

Kirkus Reviews Issue: April 15, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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