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BELLEVUE

THREE CENTURIES OF MEDICINE AND MAYHEM AT AMERICA'S MOST STORIED HOSPITAL

A lively contribution to popular histories of New York and its institutions, worthy of shelving alongside Robert Caro’s The...

An eye-opening history of the Manhattan hospital whose name is a byword for asylums everywhere.

If a person is taken to Bellevue, it’s never for good reasons. It is the hospital where sick homeless people, injured construction workers, and wounded cops and robbers come, scooped up from all over Manhattan, with elite wards for the elite and less-than-elite wards for the rest. In that sense, writes Pulitzer Prize–winning historian Oshinsky (History/New York Univ., and Medical Humanities/NYU School of Medicine; Polio: An American Story, 2010, etc.), “Bellevue is a microcosm of the city it serves.” It has made news for generations, in recent years for housing John Lennon’s assassin but also for having been the death place for Stephen Foster, O. Henry, and Lead Belly. That familiarity in the popular culture, notes the author, comes at a price, for though Bellevue has an ineradicable reputation, it is the definitive public hospital, treating rich and poor, attending to every conceivable malady, its doctors researching epidemics, ushering in public health reforms, and dispensing wisdom (“Work and keep out of the easy chair….Don’t eat too much meat”). From the ER to the Insane Pavilion (“Imagines Himself a Mosquito—Now an Inmate at Bellevue,” reads one headline of yore), Oshinsky’s account focuses on people. Anecdotal, its learning lightly worn, it makes a fine complement to the medical writing of Atul Gawande and Richard Selzer. It is also full of discoveries. For instance, it should come as no comfort to anyone that electroshock therapy, in which Bellevue was a pioneer, had its origins in the electrical stun guns used to stun pigs before they were slaughtered; it looks humane, Oshinsky suggests, only against other “therapies” such as lobotomy, and it was applied to thousands of patients, “many of them children.”

A lively contribution to popular histories of New York and its institutions, worthy of shelving alongside Robert Caro’s The Power Broker and Edwin Burrows and Mike Wallace’s Gotham.

Pub Date: Nov. 15, 2016

ISBN: 978-0-385-52336-3

Page Count: 384

Publisher: Doubleday

Review Posted Online: Sept. 5, 2016

Kirkus Reviews Issue: Sept. 15, 2016

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


  • New York Times Bestseller


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorkerstaff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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A PEOPLE'S HISTORY OF THE UNITED STATES

For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.

Pub Date: Jan. 1, 1979

ISBN: 0061965588

Page Count: 772

Publisher: Harper & Row

Review Posted Online: May 26, 2012

Kirkus Reviews Issue: Jan. 1, 1979

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