A depressing performance best skipped by anyone outside of Trump world.
A playwright once known for brilliant observation delivers an irate diatribe against anyone who doesn’t like Donald Trump.
Mamet’s punching bag is the “Left,” his base audience, “law-abiding Americans, anguished at the wreck the Left has made of this country, are wondering at the stroke of what midnight the Left will completely unmask and how little their visage then will differ from their current costume.” The dreaded socialists on the left side of the aisle—Pelosi, Sanders, et al.—bring all kinds of bad things to bear on conservatives, droning on about climate change, imposing mask mandates, and kneeling in protest against police brutality and racism. In one of his heavy-handed, disjointed essays, Mamet asks, “What was the ‘insurrection’? There was vandalism in the halls of Congress, a Capitol police officer was killed, and some poor woman died.” No big deal, right? If there’s something to whine about, Mamet finds it. He argues that Trump “was at a disadvantage because he did not lie,” which presumably allows enough wiggle room to encompass the thousands of “alternative facts.” The author decries assimilationist Jews who vote for liberals instead of “the only president who treated them as human beings.” (You know who.) He wonders why he shouldn’t be able to use the N-word freely, and he dismisses “cancel culture” as a leftist tool of thought control—never mind that it seems most widely deployed as a rightist tool to ban books in public schools, institutions that Mamet despises, too. The author also likens climate change scientists to “Stalin’s science adviser, Trofim Lysenko.” It’s a bitter, boring litany with one or two accidentally calm observations on the role of playwrights in guiding audiences on how to think about characters, leavening vituperation and right-wing agitprop with oddly juxtaposed nostalgia.
A depressing performance best skipped by anyone outside of Trump world.Pub Date: April 5, 2022
ISBN: 978-0-06-315899-3
Page Count: 256
Publisher: Broadside Books/HarperCollins
Review Posted Online: Jan. 10, 2022
Kirkus Reviews Issue: Feb. 1, 2022
For Howard Zinn, long-time civil rights and anti-war activist, history and ideology have a lot in common. Since he thinks that everything is in someone's interest, the historian—Zinn posits—has to figure out whose interests he or she is defining/defending/reconstructing (hence one of his previous books, The Politics of History). Zinn has no doubts about where he stands in this "people's history": "it is a history disrespectful of governments and respectful of people's movements of resistance." So what we get here, instead of the usual survey of wars, presidents, and institutions, is a survey of the usual rebellions, strikes, and protest movements. Zinn starts out by depicting the arrival of Columbus in North America from the standpoint of the Indians (which amounts to their standpoint as constructed from the observations of the Europeans); and, after easily establishing the cultural disharmony that ensued, he goes on to the importation of slaves into the colonies. Add the laborers and indentured servants that followed, plus women and later immigrants, and you have Zinn's amorphous constituency. To hear Zinn tell it, all anyone did in America at any time was to oppress or be oppressed; and so he obscures as much as his hated mainstream historical foes do—only in Zinn's case there is that absurd presumption that virtually everything that came to pass was the work of ruling-class planning: this amounts to one great indictment for conspiracy. Despite surface similarities, this is not a social history, since we get no sense of the fabric of life. Instead of negating the one-sided histories he detests, Zinn has merely reversed the image; the distortion remains.
Pub Date: Jan. 1, 1979
ISBN: 0061965588
Page Count: 772
Publisher: Harper & Row
Review Posted Online: May 26, 2012
Kirkus Reviews Issue: Jan. 1, 1979
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Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.
A warts-and-all portrait of the famed techno-entrepreneur—and the warts are nearly beyond counting.
To call Elon Musk (b. 1971) “mercurial” is to undervalue the term; to call him a genius is incorrect. Instead, Musk has a gift for leveraging the genius of others in order to make things work. When they don’t, writes eminent biographer Isaacson, it’s because the notoriously headstrong Musk is so sure of himself that he charges ahead against the advice of others: “He does not like to share power.” In this sharp-edged biography, the author likens Musk to an earlier biographical subject, Steve Jobs. Given Musk’s recent political turn, born of the me-first libertarianism of the very rich, however, Henry Ford also comes to mind. What emerges clearly is that Musk, who may or may not have Asperger’s syndrome (“Empathy did not come naturally”), has nurtured several obsessions for years, apart from a passion for the letter X as both a brand and personal name. He firmly believes that “all requirements should be treated as recommendations”; that it is his destiny to make humankind a multi-planetary civilization through innovations in space travel; that government is generally an impediment and that “the thought police are gaining power”; and that “a maniacal sense of urgency” should guide his businesses. That need for speed has led to undeniable successes in beating schedules and competitors, but it has also wrought disaster: One of the most telling anecdotes in the book concerns Musk’s “demon mode” order to relocate thousands of Twitter servers from Sacramento to Portland at breakneck speed, which trashed big parts of the system for months. To judge by Isaacson’s account, that may have been by design, for Musk’s idea of creative destruction seems to mean mostly chaos.
Alternately admiring and critical, unvarnished, and a closely detailed account of a troubled innovator.Pub Date: Sept. 12, 2023
ISBN: 9781982181284
Page Count: 688
Publisher: Simon & Schuster
Review Posted Online: Sept. 12, 2023
Kirkus Reviews Issue: Oct. 15, 2023
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