A disappointing first novel from the Pulitzer Prizewinning playwright. Mamet traverses ground familiar to those who read his collection of autobiographical essays (The Cabin, 1992), which often celebrates a sense of place. Here the locale is a New England village near the French-Canadian border. Again the elements are known—hunting, smoking, beautiful women. Not surprisingly, despite the presence of female characters, the novel has a lean, masculine flavor as it follows the inhabitants of the village through a year in their unexceptional lives. Dickie, owner of the general store (complete with potbellied stove) that is the focal point of commerce, information, and fellowship, constantly doodles the figures of his mortgage payment as he slips slowly into bankruptcy; a woman attracts the attention and lust of married men as well as single ones; one man becomes a local celebrity after he fends off some would-be attackers in the woods; another delights in nothing more than the simple pleasure of sitting in the sun at an auction, his cigarettes in his pocket and his dark glasses on. Old loves are remembered: a mother by her son, a woman by her former boyfriend. Beneath the restrained surface of the town, however, there is brooding anger and violence. A wife is beaten and the police are summoned. Marriages go sour but continue in silence. Through the year, the village itself, following the unchanging rhythms of the seasons, emerges as the only real character of the book. The townspeople are interchangeable cardboard cut-outs, merely set decorations for the location. This is subdued, for Mamet. He seems to want the reader to read it as he hears it on his mind's painstakingly crafted stage. But good, sharp, realistic dialogue can't save what comes across essentially as a banal, masculine, low-key Peyton Place.
Pub Date: Sept. 12, 1994
ISBN: 0-316-54572-4
Page Count: 248
Publisher: Little, Brown
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: June 15, 1994
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
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