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ELIZABETH AND HAZEL

TWO WOMEN OF LITTLE ROCK

An event of racially charged intimidation, captured on film, has lasting repercussions for two women.

Margolick spent 12 years researching the interlocking histories of Elizabeth Eckford and Hazel Bryan Massery, two students—black and white, respectively—who simultaneously attended Arkansas’ Little Rock Central High School in the 1950s. Eckford, a smart student with lawyerly aspirations, was strictly raised in a squat, crowded house. Massery, the daughter of a wounded World War II veteran, was brought up poor but hopeful and easygoing, and she frequently played with black children as a girl. Though “Little Rock in the Eisenhower era was a racial checkerboard,” writes the author, its looming high school still became the first Southern institution to become desegregated, which sent Eckford, along with eight other school board–selected black student “trailblazers” (the “Little Rock Nine”), into predominantly white classrooms. This fact incensed the 15-year-old Massery, who, backed by 250 angry, prejudiced white citizens, severely bullied Eckford, an action that was captured and immortalized on film by newspaper photojournalist Will Counts. Massery remained remorseless as the fallout from her actions included denouncement from both segregationists and the general public. Eckford, together with her integrated classmates, would go on to endure years of abuse in school. Margolick’s impressively thorough examination is unique among other Central High exposés in that it incorporates updated material culled from media sources including interviews with eight of the school’s nine black students and statements in Eckford and Massery’s own words. Both of these women, he writes, were unenthusiastic about revisiting their ordeal, even to simply set the record straight—which the author accomplishes with graceful tact. Decades later, Massery’s atonement and redemption manifested in an amicable but disappointingly short-lived friendship, joining Eckford as she accepted presidential accolades and while antagonistically interviewed on Oprah. The narrative concludes with the pair’s discordant severance. “At this point,” he writes, “only Photoshop could bring them together.” Riveting reportage of an injustice that still resonates with sociological significance.

 

Pub Date: Sept. 27, 2011

ISBN: 978-0-300-14193-1

Page Count: 256

Publisher: Yale Univ.

Review Posted Online: July 5, 2011

Kirkus Reviews Issue: July 15, 2011

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

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Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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