THE BEADS

Oddball New Jersey kids grow up with family values that grow increasingly sinister in McConnell’s labyrinthine coming-of-age novel.

The author centers the story on Darius Van Nest, an eccentric elementary school student at Lawrence Academy in Westerbrook, New Jersey, who’s convinced of his own “illustriousness” and fixated, to the dismay of his English teacher, Jane Brzostovsky, on the incestuous dysfunctions of the infamous Borgia family. Darius’ adoptive parents—his wealthy father Oliver, who’s given to nasty put-downs and Holocaust denial; and his mother Sohaila, a beautiful and shallow Iranian immigrant—are equally off-kilter, especially after Oliver lets Sohaila move her lover into the mansion. Darius’ only friend is classmate Barry Paul, an ordinary 12-year-old kid who’s abused by a manipulative adult, which leaves festering psychological wounds. McConnell follows these characters through the 1980s and ’90s. Darius drifts through Columbia University, Paris, and relationships with several men, including Alan Wilkinson, an aloof student of the philosophy of mathematics; and Rolf, a kindly German aristocrat. Jane is roped into a scheme by Darius’ childhood French tutor, David Caperini, to sell valuable artworks stolen from the Van Nest mansion, and Barry returns home after years out West and reconnects with a wealthy lawyer, Preston Sayles. McConnell’s often darkly comic narrative depicts families as snake-pits of subtle power plays, rich men as unbalanced, and social life as an awkward struggle to paper cheerful good manners over fear, resentment, and boredom. His prose is full of brilliantly evocative character sketches: “Oliver was silent at first. Rude. He flared his nostrils. He sat perfectly still and seemed to count something by means of the nostril-flarings….like a lizard, motionless except for its reptilian dewlap flexing. McConnell’s superb eye for detail reveals layered dramas in a single piercing glance: “One couple was almost lost in shadow in the back. The girl, in tears maybe, bent over her knees. She looked sickened by something her boyfriend had told her. The boy was torturing a matchbook, staring at it with clockmaker’s concentration and an air of contempt.” From a tangle of inappropriate, unpropitious relationships, McConnell unspools sharp-eyed psychological insights.

An entertaining, deeply imagined literary melodrama.