by David Mitchell ‧ RELEASE DATE: Dec. 1, 2014
Those who have caught the origami bug can have some monstrous fun folding and mixing and matching.
Kids who are hooked on Tom Angleberger’s series can fold a host of monsters to threaten their Origami Yodas.
Starting with the easiest-to-fold Imp and progressing through 16 other monsters to the daunting-looking Sky Sprite, Mitchell arranges the book as a progression. Most readers, though, will want to skip right to the three awesomest, those featured on the cover, with their prominent teeth and fangs; the remainder of the monsters are pretty generic and look much alike. Cleverly, however, these monsters use at least two squares of paper each, meaning that their bodies and heads can be mixed and matched to create new creatures. As with most origami books, this one begins with a two-page introduction about folds and the symbols that will be used in the instructions, which are easy to follow even for beginners. Each project features a full-color photo of the finished model followed by numbered steps that are both written and visual. Since many of the models share basic body parts, readers will need to flip back and forth, as directions are not repeated for each separate project. And origami paper is a necessity—the teeth, fangs and eyes only pop with two-sided papers.
Those who have caught the origami bug can have some monstrous fun folding and mixing and matching. (Nonfiction. 8-14)Pub Date: Dec. 1, 2014
ISBN: 978-1-77085-409-3
Page Count: 96
Publisher: Firefly
Review Posted Online: Sept. 30, 2014
Kirkus Reviews Issue: Oct. 15, 2014
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by Thomas King ; illustrated by Byron Eggenschwiler ‧ RELEASE DATE: Oct. 3, 2017
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote...
Two republished tales by a Greco-Cherokee author feature both folkloric and modern elements as well as new illustrations.
One of the two has never been offered south of the (Canadian) border. In “Coyote Sings to the Moon,” the doo-wop hymn sung nightly by Old Woman and all the animals except tone-deaf Coyote isn’t enough to keep Moon from hiding out at the bottom of the lake—until she is finally driven forth by Coyote’s awful wailing. She has been trying to return to the lake ever since, but that piercing howl keeps her in the sky. In “Coyote’s New Suit” he is schooled in trickery by Raven, who convinces him to steal the pelts of all the other animals while they’re bathing, sends the bare animals to take clothes from the humans’ clothesline, and then sets the stage for a ruckus by suggesting that Coyote could make space in his overcrowded closet by having a yard sale. No violence ensues, but from then to now humans and animals have not spoken to one another. In Eggenschwiler’s monochrome scenes Coyote and the rest stand on hind legs and (when stripped bare) sport human limbs. Old Woman might be Native American; the only other completely human figure is a pale-skinned girl.
Though usually cast as the trickster, Coyote is more victim than victimizer, making this a nice complement to other Coyote tales. (Fiction. 9-11)Pub Date: Oct. 3, 2017
ISBN: 978-1-55498-833-4
Page Count: 56
Publisher: Groundwood
Review Posted Online: July 1, 2017
Kirkus Reviews Issue: July 15, 2017
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by Catherine Rondina & illustrated by Kevin Sylvester ‧ RELEASE DATE: Aug. 1, 2010
Gleefully providing ammunition for snarky readers eager to second-guess misguided beliefs and commands of grown-ups, Rondina dishes up the straight poop on dozens of topics from the cleanliness of a dog’s mouth and the relationship (none) between French fries and acne to whether an earwig could really crawl into your ear and eat your brains. Since she cites no readily checkable sources—support for assertions comes in the form of quotations from experts in various fields, but there is no bibliography—it’s hard to tell how accurate some of her claims are—it would be nice to have a citation to the JAMA studies that debunk the sugar-hyperactivity connection, for instance—and too often she provides only an unsatisfying “You Decide” instead of a clear “True” or “False.” Still, it all makes painless reading equally suitable for casual dipping or reading straight through, and Sylvester’s pen-and-ink spot art adds further light notes to every page. An extensive closing catalog of familiar “Parentisms”—“I’m not running a taxi service,” “Because I said so, that’s why,” etc.—adds a chuckle-inducing lagniappe. (Informational ephemera. 9-11)
Pub Date: Aug. 1, 2010
ISBN: 978-1-55453-454-8
Page Count: 96
Publisher: Kids Can
Review Posted Online: June 28, 2010
Kirkus Reviews Issue: July 15, 2010
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