LAMBDA

A police officer connects with a mysterious race of aquatic humans in this inventive debut.

Cara Gray, the protagonist of visual artist Musgrave’s debut novel, took an unlikely route to becoming a cop. She joined an activist camp after school but soon ditched it to join the police force, where she’s initially assigned to work in data surveillance. While she’s good at her job, she fails to prevent a school bombing that kills more than 1,400 people and is demoted, becoming a police liaison to the community of lambdas, a race of small humans that have adapted to living in water. The lambdas “keep a very low profile,” making their homes in flooded basements and working low-income jobs. They’re also the target of increasing harassment and violence from hateful people who believe that a splinter group of militant lambdas were behind the school bombing; they endure beatings and graffiti saying things like “fuck off fishman scum.” Cara becomes increasingly fascinated with the lambdas; meanwhile, the police experiment with a mysterious data processing entity; Cara’s mother interacts with an avatar of her missing husband; and Cara finds herself frustrated at the relationship between her boyfriend and her sentient toothbrush. The novel has an inventive structure, with narrative chapters interspersed with various documents; it can be exhausting, but the reader gets the feeling that’s by design. As weird as the novel sounds, it’s even more so, but Musgrave manages to hold all the threads together, although he does offer readers a healthy number of red herrings and blind alleys. The book is cinematic in an almost Cronenberg-ian way, and even at its most confusing, it’s still a fast-paced (though unsettling) read. Novels like this don’t work unless the author fully commits, and Musgrave does. This isn’t for everybody, but science-fiction readers who favor the bizarre will likely be confused and charmed in equal parts.

An odd novel that shouldn't work but somehow does.