A relatable and satisfyingly realistic love story to cure any lingering lockdown blues.
Two solitary adults take the plunge into postpandemic socialization to quell their growing discomfort from loneliness.
Marnie Walsh, a 38-year-old London copy editor, embraces the fact that she has more control over her time than her friends with spouses and children do—but she starts to question the appeal of her lifestyle when an autogenerated year-in-review photo compilation reveals only “her oven light-bulb, a recipe for hearty lentil soup, a close-up of an ingrowing hair…all accompanied by Carole King’s ‘You’ve Got a Friend.’” Marnie’s most steadfast friend, Cleo Fraser, is eager to capitalize on Marnie’s recent self-awareness and invites her on a trip to the northern countryside. This is much to the dismay of Cleo’s colleague, geography teacher Michael Bradshaw, who had planned this walk across northern England from west coast to east as a solo undertaking. Michael is just as lonely as Marnie but even more depressed. While Marnie’s coping mechanism is a Bridget Jonesian style of self-deprecating humor, Michael’s is to walk the countryside until numbness sets in. Cleo’s intention is to bring a group of singleton friends together, but given Michael’s recent, painful separation from his wife, “trying to picture himself on a date now was like trying to imagine himself bungee-jumping, theoretically possible but under what circumstances?” As Michael and Marnie walk together, they begin to banter, and the fresh air and copious pints at trailside pubs revive long-buried versions of themselves. Like their arduous walk, this love story isn’t glamorous or fast-paced but it’s worth the mileage. Given the witty dialogue and sublime natural settings (think Wordsworth and Brontë), it’s not hard to imagine this as another of Nicholls’ big-screen adaptations, like One Day (2009).
A relatable and satisfyingly realistic love story to cure any lingering lockdown blues.Pub Date: June 18, 2024
ISBN: 9780063394056
Page Count: 368
Publisher: Harper/HarperCollins
Review Posted Online: April 19, 2024
Kirkus Reviews Issue: May 15, 2024
SEEN & HEARD
A pleasant if not entirely convincing tribute to the power of art.
A French art historian’s English-language fiction debut combines the story of a loving relationship between a grandfather and granddaughter with an enlightening discussion of art.
One day, when 10-year-old Mona removes the necklace given to her by her now-dead grandmother, she experiences a frightening, hour-long bout of blindness. Her parents take her to the doctor, who gives her a variety of tests and also advises that she see a psychiatrist. Her grandfather Henry tells her parents that he will take care of that assignment, but instead, he takes Mona on weekly visits to either the Louvre, the Musée d’Orsay, or the Centre Pompidou, where each week they study a single work of art, gazing at it deeply and then discussing its impact and history and the biography of its maker. For the reader’s benefit, Schlesser also describes each of the works in scrupulous detail. As the year goes on, Mona faces the usual challenges of elementary school life and the experiences of being an only child, and slowly begins to understand the causes of her temporary blindness. Primarily an amble through a few dozen of Schlesser’s favorite works of art—some well known and others less so, from Botticelli and da Vinci through Basquiat and Bourgeois—the novel would probably benefit from being read at a leisurely pace. While the dialogue between Henry and the preternaturally patient and precocious Mona sometimes strains credulity, readers who don’t have easy access to the museums of Paris may enjoy this vicarious trip in the company of a guide who focuses equally on that which can be seen and the context that can’t be. Come for the novel, stay for the introductory art history course.
A pleasant if not entirely convincing tribute to the power of art.Pub Date: Aug. 26, 2025
ISBN: 9798889661115
Page Count: 432
Publisher: Europa Editions
Review Posted Online: June 7, 2025
Kirkus Reviews Issue: July 15, 2025
SEEN & HEARD
SEEN & HEARD
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
SEEN & HEARD
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