Park’s stories render the shape-shifting weight of love with a subtle but emotionally penetrating accuracy.
In 13 stories set mostly in his native Northern Ireland, novelist Park (The Poets’ Wives, 2014, etc.) explores the emotional lives of men from youth to old age.
While Park occasionally flirts with high culture—the opening story, “Learning to Swim,” features a young Donne scholar from England finding a poem for his new, older, richer, but less educated Belfast acquaintance to recite at his wedding; “The Kiss” swings between the scoundrel painter Caravaggio’s betrayal of a friend and present-day adultery—the emphasis here is on the daily grind of love. In the heart-wrenching “Boxing Day,” a teenager spends a miserable afternoon with his mentally ill mother, impatient to return to the new happy family his father has created yet longing to “know [his] mother as she must once have been.” Although the island on which the retired teacher in “Skype” lives may be extreme in its isolation, his yearning to stay connected with his faraway daughter via her preferred technology captures the zeitgeist of contemporary parenthood. In “Man Overboard,” four childhood friends, now middle-aged, spend an awkward fishing trip not really talking “about ourselves in the present” until one of them faces a crisis and the others react, revealing the potential tenderness of male friendship. Park shows love gone bad—the cop assigned a surveillance beat by day in “Keeping Watch” spends nights on unofficial surveillance of his ex-wife’s house despite a court order, his inability to let go turned into sickness—but the best stories here approach marital love as a complex organism. Technology is again the metaphor in “The Bloggers,” about a married couple’s evolution online and off. The long, seemingly moribund marriage in “Gecko” endures and reblooms once the husband accepts his own limitations. In “Old Fool,” the lonely widower who allows a struggling single mother to take advantage of his optimistic naiveté is also consciously compensating for his failure to appreciate his wife while she was alive.
Park’s stories render the shape-shifting weight of love with a subtle but emotionally penetrating accuracy.Pub Date: Dec. 6, 2016
ISBN: 978-1-40886-607-8
Page Count: 304
Publisher: Bloomsbury
Review Posted Online: Sept. 19, 2016
Kirkus Reviews Issue: Oct. 1, 2016
It's being called a novel, but it is more a hybrid: short-stories/essays/confessions about the Vietnam War—the subject that O'Brien reasonably comes back to with every book. Some of these stories/memoirs are very good in their starkness and factualness: the title piece, about what a foot soldier actually has on him (weights included) at any given time, lends a palpability that makes the emotional freight (fear, horror, guilt) correspond superbly. Maybe the most moving piece here is "On The Rainy River," about a draftee's ambivalence about going, and how he decided to go: "I would go to war—I would kill and maybe die—because I was embarrassed not to." But so much else is so structurally coy that real effects are muted and disadvantaged: O'Brien is writing a book more about earnestness than about war, and the peekaboos of this isn't really me but of course it truly is serve no true purpose. They make this an annoyingly arty book, hiding more than not behind Hemingwayesque time-signatures and puerile repetitions about war (and memory and everything else, for that matter) being hell and heaven both. A disappointment.
Pub Date: March 28, 1990
ISBN: 0618706410
Page Count: 256
Publisher: Houghton Mifflin
Review Posted Online: Oct. 2, 2011
Kirkus Reviews Issue: Feb. 15, 1990
SEEN & HEARD
IN THE NEWS
SEEN & HEARD
A newcomer to watch: fresh, funny, and tough.
Seven stories, including a couple of prizewinners, from an exuberantly talented young Thai-American writer.
In the poignant title story, a young man accompanies his mother to Kok Lukmak, the last in the chain of Andaman Islands—where the two can behave like “farangs,” or foreigners, for once. It’s his last summer before college, her last before losing her eyesight. As he adjusts to his unsentimental mother’s acceptance of her fate, they make tentative steps toward the future. “Farangs,” included in Best New American Voices 2005 (p. 711), is about a flirtation between a Thai teenager who keeps a pet pig named Clint Eastwood and an American girl who wanders around in a bikini. His mother, who runs a motel after having been deserted by the boy’s American father, warns him about “bonking” one of the guests. “Draft Day” concerns a relieved but guilty young man whose father has bribed him out of the draft, and in “Don’t Let Me Die in This Place,” a bitter grandfather has moved from the States to Bangkok to live with his son, his Thai daughter-in-law, and two grandchildren. The grandfather’s grudging adjustment to the move and to his loss of autonomy (from a stroke) is accelerated by a visit to a carnival, where he urges the whole family into a game of bumper cars. The longest story, “Cockfighter,” is an astonishing coming-of-ager about feisty Ladda, 15, who watches as her father, once the best cockfighter in town, loses his status, money, and dignity to Little Jui, 16, a meth addict whose father is the local crime boss. Even Ladda is in danger, as Little Jui’s bodyguards try to abduct her. Her mother tells Ladda a family secret about her father’s failure of courage in fighting Big Jui to save his own sister’s honor. By the time Little Jui has had her father beaten and his ear cut off, Ladda has begun to realize how she must fend for herself.
A newcomer to watch: fresh, funny, and tough.Pub Date: Jan. 1, 2005
ISBN: 0-8021-1788-0
Page Count: 224
Publisher: Grove
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2004
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