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TOKYO REDUX by David Peace

TOKYO REDUX

by David Peace

Pub Date: Aug. 10th, 2021
ISBN: 978-0-307-26376-6
Publisher: Knopf

A dark, twist-filled mystery, the last in British author Peace's trilogy set in occupied 1940s Tokyo following Occupied City (2009) and Tokyo Year Zero (2007).

Veteran crime writer Peace, who (following James Ellroy) has said that he sees no reason to invent new crimes, follows his own precept here, focusing on one of Japan's most infamous unsolved cases: the death in 1949 of the National Railways' first president, Sadanori Shimoyama. Under pressure from the American occupying authorities, Shimoyama was being forced to lay off 100,000 workers, which made him a man both despised and depressed. One morning he was picked up as usual by his chauffeur, taken first to a bank and then to a department store. He said he'd return in five minutes, headed in—and disappeared. Late that night, Shimoyama's body was discovered alongside a rail line, grotesquely dismembered by a passing train. But was it suicide or homicide? Had he been dead hours before, as an autopsy indicated? If so, why did several people spot him that evening—or think they did—near the scene of his body's discovery, wandering and plucking weeds? Peace's intricate retelling/reimagining of the story begins in the immediate aftermath, with a disillusioned, hard-drinking American detective named Harry Sweeney. It then jumps forward to 1964, amid a revived city preparing to host the world for the Olympic Games. There, private investigator Murota Hideki, a policeman during the occupation, searches for an eccentric missing writer who was a loud proponent of the theory that Shimoyama was murdered—and who battles his own demons. Then the book leaps forward one last time, to 1988. There, against the backdrop of the emperor's protracted final illness, elderly American expatriate Donald Reichenbach, a teacher and translator, ends up being the one who must finally unravel, and reckon with the implications of, the now 40-year-old mystery. Sometimes Peace's style overrelies on line-by-line repetition, but the book has a songlike cadence that—thanks both to the riddles within riddles of the so-called "Shimoyama incident" itself and Peace's sure veteran hand with suspense—trundles the reader along with a train's inexorable momentum.

A brisk and atmospheric true-crime thriller.