A wonderful, eye-opening account of humans versus disease that deserves to share the shelf with such classics as Microbe...
Nature writer and intrepid traveler Quammen (The Reluctant Mr. Darwin, 2006, etc.) sums up in one absorbing volume what we know about some of the world’s scariest scourges: Ebola, AIDS, pandemic influenza—and what we can do to thwart the “NBO,” the Next Big One.
The author discusses zoonoses, infectious diseases that originate in animals and spread to humans. The technical term is “spillover.” It’s likely that all infections began as spillovers. Some, like Ebola and lesser-known viral diseases (Nipah, Hendra, Marburg), are highly transmissible and virulent, but so far have been limited to sporadic outbreaks. They persist because they are endemic in a reservoir population through a process of mutual adaptation. Finding that reservoir holds the key to control and prevention and gives Quammen’s accounts the thrill of the chase and the derring-do of field research in rain forests and jungles and even teeming Asian cities where monkeys run wild. The author chronicles his travels around the world, including a stop in a bat cave in Uganda with scientists who found evidence that bats were the source of Marburg and other zoonoses, but not AIDS. Quammen’s AIDS narrative traces the origin of HIV to chimpanzee-human transmission around 1908, probably through blood-borne transmission involved in the killing of the animal for food. Over the decades, with changing sexual mores, an ever-increasing world population and global travel, the stage was set for a takeoff. Quammen concludes with a timely discussion of bird flu, which has yet to achieve human-to-human transmission but, thanks to the rapid mutation rate and gene exchanges typical of RNA viruses, could be the NBO. You can’t predict, say the experts; what you can do is be alert, establish worldwide field stations to monitor and test and take precautions.
A wonderful, eye-opening account of humans versus disease that deserves to share the shelf with such classics as Microbe Hunters and Rats, Lice and History.Pub Date: Oct. 1, 2012
ISBN: 978-0-393-06680-7
Page Count: 480
Publisher: Norton
Review Posted Online: April 6, 2012
Kirkus Reviews Issue: May 1, 2012
IN THE NEWS
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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