by David R. Dow ‧ RELEASE DATE: May 15, 2005
An honorably dispassionate and logical broadside against a shameful practice.
The death penalty is wrong because it can’t be meted out fairly, argues Dow (Law/Univ. of Houston).
The standard argument against executions is that they are cruel, inhumane and somehow uncivilized: a rhetorical strategy that often runs aground on the hard retort that killers can’t be punished enough and to feel sympathy for them is naïve at best. Some death penalty abolitionists, like Sister Helen Prejean, will explain why certain death row inmates are actually innocent, but even though the author is director of the Texas Innocence Network, he thinks that’s also the wrong angle to take. Dow systematically walks readers through the process by which states decide to execute criminals, a process that ultimately owes far more to a convict’s race, class and caliber of attorney than to the crime’s level of brutality, which is supposed to be the factor that determines whether a death penalty or life sentence is imposed. “The tiny handful that we execute is almost never the worst of the worst,” writes Dow. “Instead, people are executed because eyewitnesses make mistakes, police lie, defense lawyers sleep, and judges do not care.” He returns repeatedly to the subject of defense lawyers who slept through the trials of clients who later went to death row; in one unbelievable instance in Texas, six people who had been represented by one dozing lawyer were executed. It isn’t just a bad defense that makes the system so unfair to the accused, the author asserts; it’s also the simple fact that minorities are executed far more often than their white counterparts (regardless of the severity of the crime) and that higher courts are increasingly unwilling to hear appeals from those on death row. Though the central power of Dow’s argument occasionally gets lost in a book that frequently reads like a dry legal brief, he succeeds in illuminating the horrific arbitrariness of a system that has abandoned blind justice for “the rule of the mob.”
An honorably dispassionate and logical broadside against a shameful practice.Pub Date: May 15, 2005
ISBN: 0-8070-4420-2
Page Count: 256
Publisher: Beacon Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Feb. 15, 2005
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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developed by Ludwig Bemelmans ; illustrated by Steven Salerno
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