The blond beauty is Sigrid, a stenographer living alone with her unpleasant mother-in-law while her husband, Kaspar, serves...
In his debut about 1943 Berlin, Gillham uses elements common to the many previous movies and books about World War II—from vicious Nazis to black marketeers to Jewish children hiding in attics to beautiful blond German women hiding their sexuality inside drab coats—yet manages to make the story fresh.
The blond beauty is Sigrid, a stenographer living alone with her unpleasant mother-in-law while her husband, Kaspar, serves on the eastern front. Sigrid’s Berlin is a grim city full of suspicious, fearful citizens barely coping with shortages and almost nightly air raids, people not above turning each other over to the Gestapo for unpatriotic behavior. But Sigrid is mostly consumed in pining not for Kaspar but for Egon, the Jewish black markeeter with whom she carried on a passionate affair before he went into hiding. At first, Sigrid resists when Ericha, a rebellious teenager living in her building, involves her in an underground network hiding Jews, but iconoclast Sigrid soon finds that her experience as Egon’s occasional “bagman” serves her well as she delivers supplies and humans to a safe house. At the same time, she befriends new neighbors, two sisters and their wounded-officer brother, Wolfram, whose impeccable German credentials are not what they seem. Sigrid finds herself wondering if a particular Jewish woman with two daughters in hiding might be Egon’s wife. But when Egon reappears in her life, she doesn’t bring up her suspicions. Instead she hides him in her neighbors’ apartment, an awkward situation given that she has recently begun what she considers a purely sexual affair with Wolfram. The wounded and embittered Kaspar’s return only complicates the situation. With her underground activities as intricate as her love life, Sigrid can trust no one, yet must trust a dangerously wider circle of acquaintances until the hold-your-breath suspense ending.Pub Date: Aug. 7, 2012
ISBN: 978-0-399-15776-9
Page Count: 400
Publisher: Amy Einhorn/Putnam
Review Posted Online: July 21, 2012
Kirkus Reviews Issue: Aug. 1, 2012
BOOK REVIEW
A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.
A deeply satisfying novel, both sensuously vivid and remarkably poignant.Pub Date: April 7, 2020
ISBN: 978-1-77196-319-0
Page Count: 272
Publisher: Biblioasis
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.
Crandall (Sleep No More, 2010, etc.) delivers big with a coming-of-age story set in Mississippi in 1963 and narrated by a precocious 9-year-old.
Due in part to tradition, intimidation and Jim Crow laws, segregation is very much ingrained into the Southern lifestyle in 1963. Few white children question these rules, least of all Starla Caudelle, a spunky young girl who lives with her stern, unbending grandmother in Cayuga Springs, Miss., and spends an inordinate amount of time on restriction for her impulsive actions and sassy mouth. Starla’s dad works on an oil rig in the Gulf; her mother abandoned the family to seek fame and fortune in Nashville when Starla was 3. In her youthful innocence, Starla’s convinced that her mother’s now a big singing star, and she dreams of living with her again one day, a day that seems to be coming more quickly than Starla’s anticipated. Convinced that her latest infraction is about to land her in reform school, Starla decides she has no recourse but to run away from home and head to Nashville to find her mom. Ill prepared for the long, hot walk and with little concept of time and distance, Starla becomes weak and dehydrated as she trudges along the hot, dusty road. She gladly accepts water and a ride from Eula, a black woman driving an old truck, and finds, to her surprise, that she’s not Eula’s only passenger. Inside a basket is a young white baby, an infant supposedly abandoned outside a church, whom Eula calls James. Although Eula doesn’t intend to drive all the way to Nashville, when she shows up at her home with the two white children, a confrontation with her husband forces her into becoming a part of Starla’s journey, and it’s this journey that creates strong bonds between the two: They help each other face fears as they each become stronger individuals. Starla learns firsthand about the abuse and scare tactics used to intimidate blacks and the skewed assumption of many whites that blacks are inferior beings. Assisted by a black schoolteacher who shows Eula and Starla unconditional acceptance and kindness, both ultimately learn that love and kinship transcend blood ties and skin color.
Young Starla is an endearing character whose spirited observations propel this nicely crafted story.Pub Date: July 2, 2013
ISBN: 978-1-4767-0772-3
Page Count: 320
Publisher: Gallery Books/Simon & Schuster
Review Posted Online: May 20, 2013
Kirkus Reviews Issue: June 15, 2013
BOOK REVIEW
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