A potent, nearly perfect brew of politics, murder, mayhem, and mystery.
Stokes’ (How to Keep Calm and Carry On, 2014, etc.) crisp work of historical fiction animates the most sensational homicide trial in the criminal annals of Oklahoma.
It’s a familiar story. A middle-aged man falls in love with a much younger woman, and they carry on for years, until stronger passions, such as the desire for power and fame, conflict with what passes for love. It’s worth noting that the middle-aged man in this true story was “the Oil King of Oklahoma,” Jacob “Jake” Hamon, slated to be a member of President Warren Harding’s cabinet until his megalomania and other character failings derailed his ambitions and ended up costing him his life. Hamon was 37, and his paramour, Clara Smith, was just 17 when she came to his attention. Never mind that he was a prominent Republican and a married man with two children, Jake installs his mistress in a hotel suite in the Oklahoma town of Ardmore. Clara, for her part, is no wide-eyed ingénue , exploiting Hamon’s riches to pad her own purse. Eventually Jake’s megalomania kicks in, and he dumps Clara for political gain only to have her fatally shoot him. Stokes’ tightly paced narrative keeps humming even when it’s focused not just on the sensational crime, but all associated players as well. Especially impressive is the nuanced character development—there are no uniformly good or bad guys here; even Jake’s long-suffering wife exploits his death to raise her own social standing. Despite a lag in the action toward the end—when the story focuses on the aftermath of the shooting and Clara’s 15 minutes of fame—it’s a revealing exercise in the way public opinion can make or break one person’s fortunes. A relevant lesson in today’s hashtag-driven pop-culture world.
Pub Date: Nov. 20, 2015
ISBN: 978-0-9969892-0-6
Page Count: 348
Publisher: Critical Mass Press
Review Posted Online: Dec. 15, 2015
Kirkus Reviews Issue: Jan. 15, 2016
Review Program: Kirkus Indie
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BOOK REVIEW
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
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BOOK REVIEW
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