It's hard to imagine any book on the last years of Communism in the Soviet Union surpassing this one by Remnick, who covered the events for The Washington Post. Remnick's story is about far more than simply the economic failure of Communism. For 70 years, he emphasizes, history in the Soviet Union had been the instrument of the Communist Party—and ``history, when it returned, was unforgiving.'' From his own travels, and from conversations with former Soviets at every level of society, Remnick conveys unforgettably the impact of that history. There's the testimony of General Volkogonov, who as a historical researcher and loyal Party member found that on just one day, December 12, 1938, Stalin, after signing the death sentences of about five thousand people—including many the Soviet dictator knew personally—went to his personal theater and watched two movies, including Happy Guys. There's the story of the man Remnick met in Magadan, that ``gulag boomtown,'' who as a young boy lived in a house close to the port, from which long lines of prisoners marched toward the camps scattered for hundred of miles throughout Kolyma. The author spoke to people of every kind—from Politburo leaders to bums in the street; from Gorbachev's first girlfriend to simple people still passionately dedicated to the memory of Stalin- -and he has an almost poetic ability to convey character and scenes economically and vividly: One ideologist, he says, ``looked like a teacher who specialized in handwriting and never gave an A.'' Commenting on his findings, Remnick notes that, today, ``the fate of Russia hinges, once more, on the skills, inclinations, and heartbeat of one man. This time it is Boris Yeltsin...No one knows what would happen should Yeltsin fall from power...The institutions of this new society are embryonic, infinitely fragile.'' Brilliant, evocative, riveting.
Pub Date: June 1, 1993
ISBN: 0-679-42376-1
Page Count: 512
Publisher: Random House
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1993
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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