A promising first episode of a new series with a striking hero and a coyote spirit.
A YA fantasy tells the story of a teen returning home to seek redemption.
High school basketball star Cole Harper hasn’t been back to his Canadian hometown of Wounded Sky in 10 years. But when a friend from childhood asks him to return, he can’t bring himself to refuse. When he arrives, it becomes clear that it isn’t just Cole who has been harboring ill feelings in the intervening years. Many members of his First Nation band are still angry at Cole over how he survived the school fire that killed others long ago—and who he helped save during it. When Cole confronts Ashley, the friend who begged him to return, he learns that it was actually someone else using Ashley’s phone: an anthropomorphic coyote spirit who goes by the name of Choch. As surprised as Cole is to have a coyote talking to him, he recognizes that Choch is the same figure who appeared to him during the previous tragedy, offering him the power to save his friends at the cost of the deaths of others. Now he has a new offer for the teen: death is coming to Wounded Sky, and it will claim everyone in Cole’s band unless he can find a way to stop it. Aided by his two best friends from childhood as well as the ghost of another classmate and the coyote spirit himself, Cole must try to redeem his past by preserving the future for as many people as he can. In this series opener, Robertson (When We Were Alone, 2016, etc.) writes in a taut prose that harnesses sensory details to subtly accrue tension: “Sounds were more intimate inside the rink: the shred of metal against ice, the snap of wood against rubber, the collision of body against body, then body against board; and finally, the crowd and its fickle crescendo.” The tone deftly oscillates between moodiness and humor, capturing the angst of the tale’s teens without becoming self-serious. Though this is very much an archetypal story, the blend of Native American fantasy elements and a noirish Canadian setting make this a memorable addition to the genre.
A promising first episode of a new series with a striking hero and a coyote spirit.Pub Date: March 1, 2018
ISBN: 978-1-55379-676-3
Page Count: 233
Publisher: HighWater Press
Review Posted Online: Oct. 24, 2017
Kirkus Reviews Issue: Dec. 1, 2017
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes...
In a riveting novel from Myers (At Her Majesty’s Request, 1999, etc.), a teenager who dreams of being a filmmaker writes the story of his trial for felony murder in the form of a movie script, with journal entries after each day’s action.
Steve is accused of being an accomplice in the robbery and murder of a drug store owner. As he goes through his trial, returning each night to a prison where most nights he can hear other inmates being beaten and raped, he reviews the events leading to this point in his life. Although Steve is eventually acquitted, Myers leaves it up to readers to decide for themselves on his protagonist’s guilt or innocence.
The format of this taut and moving drama forcefully regulates the pacing; breathless, edge-of-the-seat courtroom scenes written entirely in dialogue alternate with thoughtful, introspective journal entries that offer a sense of Steve’s terror and confusion, and that deftly demonstrate Myers’s point: the road from innocence to trouble is comprised of small, almost invisible steps, each involving an experience in which a “positive moral decision” was not made. (Fiction. 12-14)Pub Date: May 31, 1999
ISBN: 0-06-028077-8
Page Count: 280
Publisher: HarperCollins
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: May 1, 1999
Bulky, balky, talky.
In an updated quest for the Holy Grail, the narrative pace remains stuck in slo-mo.
But is the Grail, in fact, holy? Turns out that’s a matter of perspective. If you’re a member of that most secret of clandestine societies, the Priory of Sion, you think yes. But if your heart belongs to the Roman Catholic Church, the Grail is more than just unholy, it’s downright subversive and terrifying. At least, so the story goes in this latest of Brown’s exhaustively researched, underimagined treatise-thrillers (Deception Point, 2001, etc.). When Harvard professor of symbology Robert Langdon—in Paris to deliver a lecture—has his sleep interrupted at two a.m., it’s to discover that the police suspect he’s a murderer, the victim none other than Jacques Saumière, esteemed curator of the Louvre. The evidence against Langdon could hardly be sketchier, but the cops feel huge pressure to make an arrest. And besides, they don’t particularly like Americans. Aided by the murdered man’s granddaughter, Langdon flees the flics to trudge the Grail-path along with pretty, persuasive Sophie, who’s driven by her own need to find answers. The game now afoot amounts to a scavenger hunt for the scholarly, clues supplied by the late curator, whose intent was to enlighten Sophie and bedevil her enemies. It’s not all that easy to identify these enemies. Are they emissaries from the Vatican, bent on foiling the Grail-seekers? From Opus Dei, the wayward, deeply conservative Catholic offshoot bent on foiling everybody? Or any one of a number of freelancers bent on a multifaceted array of private agendas? For that matter, what exactly is the Priory of Sion? What does it have to do with Leonardo? With Mary Magdalene? With (gulp) Walt Disney? By the time Sophie and Langdon reach home base, everything—well, at least more than enough—has been revealed.
Bulky, balky, talky.Pub Date: March 18, 2003
ISBN: 0-385-50420-9
Page Count: 400
Publisher: Doubleday
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2003
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