by David A. Robertson ‧ RELEASE DATE: Sept. 28, 2021
A cliffhanger ending compels a return to this absorbing Indigenous fantasy.
Morgan and Eli return to Askí in this sequel to The Barren Grounds (2020).
Actually, the Cree foster siblings have been returning nightly, taking advantage of the different passage of time between Earth and Askí to stay in the village of Misewa for weeks while their foster parents sleep. Their joy in staying with the animal beings of Misewa is tempered by the loss of the old fisher Ochek. On Earth, Eli is bullied at school so relentlessly he cuts off his braid, and their foster parents (who are White) have thrown Morgan for a loop by giving her the telephone number of her birth mother—whom the eighth grader hasn’t seen since she was taken away as a toddler. So when Eli proposes changing their portal to go to a time when Ochek is young, Morgan agrees. Their ensuing adventure is something of an idyll, giving the kids a glimpse of a peaceful, prosperous Misewa. Readers of Volume 1 will enjoy this new aspect on favorite characters just as much as Morgan and Eli do, especially the squirrel Arik and teenage Ochek. The struggle against the rampaging Great Bear—shockingly, a younger version of wise village elder Muskwa—drives the action. Robertson’s (Norway House Cree Nation) nods at the complexity of time-travel plots serve as wry metafictive commentary and also tie into his consideration of profound existential questions.
A cliffhanger ending compels a return to this absorbing Indigenous fantasy. (glossary) (Fantasy. 10-14)Pub Date: Sept. 28, 2021
ISBN: 978-0-7352-6613-1
Page Count: 288
Publisher: Puffin/Penguin Random House Canada
Review Posted Online: July 12, 2021
Kirkus Reviews Issue: Aug. 1, 2021
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by David A. Robertson ; illustrated by Maya McKibbin
BOOK REVIEW
by Jack Cheng ‧ RELEASE DATE: Feb. 28, 2017
Riveting, inspiring, and sometimes hilarious.
If you made a recording to be heard by the aliens who found the iPod, what would you record?
For 11-year-old Alex Petroski, it's easy. He records everything. He records the story of how he travels to New Mexico to a rocket festival with his dog, Carl Sagan, and his rocket. He records finding out that a man with the same name and birthday as his dead father has an address in Las Vegas. He records eating at Johnny Rockets for the first time with his new friends, who are giving him a ride to find his dead father (who might not be dead!), and losing Carl Sagan in the wilds of Las Vegas, and discovering he has a half sister. He even records his own awful accident. Cheng delivers a sweet, soulful debut novel with a brilliant, refreshing structure. His characters manage to come alive through the “transcript” of Alex’s iPod recording, an odd medium that sounds like it would be confusing but really works. Taking inspiration from the Voyager Golden Record released to space in 1977, Alex, who explains he has “light brown skin,” records all the important moments of a journey that takes him from a family of two to a family of plenty.
Riveting, inspiring, and sometimes hilarious. (Fiction. 10-14)Pub Date: Feb. 28, 2017
ISBN: 978-0-399-18637-0
Page Count: 320
Publisher: Dial Books
Review Posted Online: Oct. 18, 2016
Kirkus Reviews Issue: Nov. 1, 2016
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by Jack Cheng ; illustrated by Jack Cheng
by Isaac Rudansky ‧ RELEASE DATE: Feb. 4, 2025
A half-baked jumble of poorly connected themes, incidents, and tropes.
Eleven-year-old Georgie sets out to the rescue after seeing his dad snatched into thin air by a hideous figure.
In a confusing debut that reads like a first draft, the kidnapping impels the young slingshot expert to go from doggedly enduring vicious bullying at school to intrepidly plunging after his father through a portal to Scatterplot, an otherworldly realm where the memories of everyone in New York are uploaded by omnilingual Scribes. Classmates Apurva Aluwhalia (who’s cued South Asian) and Roscoe Harris (who reads Black and is confined to a role that’s largely limited to comic relief), each motivated by their own concerns, follow white-presenting Georgie on his adventure. In Scatterplot, they must remain alert for the “tribe” of “bad people” called Altercockers, formed by the exiled Rollie D. Meanwhile, Flint Eldritch, the menacing figure who was responsible for Georgie’s father’s disappearance, is bent on using the Aetherquill, a magical pen that can rewrite reality in unpredictable ways, to replace all those recorded memories with fake ones. In a story that’s marred by stilted dialogue, flat characterization, and awkward turns of phrase, Georgie and his friends, along with Scatterplot siblings Edie and Ore, embark on a quest to save both his father and the entire realm. The puss-oozing, misshapen villain Flint, crawling with bugs, does at least provide a memorably lurid element of horror. The novel ends with an abrupt cliffhanger.
A half-baked jumble of poorly connected themes, incidents, and tropes. (Fantasy. 10-13)Pub Date: Feb. 4, 2025
ISBN: 9798886453164
Page Count: 320
Publisher: Greenleaf Book Group Press
Review Posted Online: Nov. 23, 2024
Kirkus Reviews Issue: Jan. 1, 2025
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