Next book

MONKEY MAN

A CRIME STORY

This novel, like its brutal characters, remains rough around the edges.

An average Joe who thinks he deserves much more turns to crime to get it.

In Moore’s debut novel, quick-tempered Ike Caudine smokes too much, swears too much, and thinks far too highly of himself to be the lowly billboard salesman that he is. Two years later, in 1997, he and longtime friend Fitzgerald “Fritz” Moeller start a real estate magazine in moneyed Connecticut. The magazine quickly and wildly succeeds, allowing Ike to wear Gucci, drive a Mercedes, and flaunt a Rolex. But the publication and the big paycheck it provides are short-lived, killed by the internet and Ike and Fritz’s lack of business acumen. Eight years later, Ike’s toiling as a receptionist at a management firm and living with Mary. Raised poor, she now regularly wears pearls and wants a home in which “to entertain.” Realizing being with Ike isn’t going to get her a house with a porte-cochere, she packs up and leaves. Ike reunites with Fritz, who has turned to drugs and crime. Fritz baits Ike, whom he calls “monkey man,” into joining him in a money-laundering scheme. Fritz suggests the plan will bring Ike enough cash to lure back Mary. In the meantime, Ike encounters other willing women. Some unsavory male cohorts, one of whom is known as Fishguts, populate what the one-time publisher euphemistically refers to as the “finance” business, a line of work that transforms Ike into a killer. The novel’s arc takes Ike from being a rookie salesman who only imagines maiming a disagreeable prospective client to being a thug who feels “alive” after killing. Ike is nasty, surrounded by characters of a similar nature and in whom readers may well not have a rooting interest. There’s also the gratuitous use of “fuck,” with the word appearing on 79 of the book’s 259 pages, often more than once on a page. There’s also a palpable, un-PC attitude revealed by the overuse of another F word—“fat”—to describe people; there’s the “fat man whose suit pants bulged,” the “fat woman with a gold tooth,” etc. A banker and Connecticut native, the author writes authoritatively about money laundering and the Greenwich locale. In addition, dialogue, though often disturbing and repetitive, can be strong.

This novel, like its brutal characters, remains rough around the edges.

Pub Date: Dec. 13, 2015

ISBN: 978-1-5197-8474-2

Page Count: 236

Publisher: CreateSpace

Review Posted Online: Jan. 25, 2018

Awards & Accolades

Likes

  • Readers Vote
  • 199


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019

Next book

THE LAST LETTER

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Awards & Accolades

Likes

  • Readers Vote
  • 199


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2019

A promise to his best friend leads an Army serviceman to a family in need and a chance at true love in this novel.

Beckett Gentry is surprised when his Army buddy Ryan MacKenzie gives him a letter from Ryan’s sister, Ella. Abandoned by his mother, Beckett grew up in a series of foster homes. He is wary of attachments until he reads Ella’s letter. A single mother, Ella lives with her twins, Maisie and Colt, at Solitude, the resort she operates in Telluride, Colorado. They begin a correspondence, although Beckett can only identify himself by his call sign, Chaos. After Ryan’s death during a mission, Beckett travels to Telluride as his friend had requested. He bonds with the twins while falling deeply in love with Ella. Reluctant to reveal details of Ryan’s death and risk causing her pain, Beckett declines to disclose to Ella that he is Chaos. Maisie needs treatment for neuroblastoma, and Beckett formally adopts the twins as a sign of his commitment to support Ella and her children. He and Ella pursue a romance, but when an insurance investigator questions the adoption, Beckett is faced with revealing the truth about the letters and Ryan’s death, risking losing the family he loves. Yarros’ (Wilder, 2016, etc.) novel is a deeply felt and emotionally nuanced contemporary romance bolstered by well-drawn characters and strong, confident storytelling. Beckett and Ella are sympathetic protagonists whose past experiences leave them cautious when it comes to love. Beckett never knew the security of a stable home life. Ella impulsively married her high school boyfriend, but the marriage ended when he discovered she was pregnant. The author is especially adept at developing the characters through subtle but significant details, like Beckett’s aversion to swearing. Beckett and Ella’s romance unfolds slowly in chapters that alternate between their first-person viewpoints. The letters they exchanged are pivotal to their connection, and almost every chapter opens with one. Yarros’ writing is crisp and sharp, with passages that are poetic without being florid. For example, in a letter to Beckett, Ella writes of motherhood: “But I’m not the center of their universe. I’m more like their gravity.” While the love story is the book’s focus, the subplot involving Maisie’s illness is equally well-developed, and the link between Beckett and the twins is heartfelt and sincere.

A thoughtful and pensive tale with intelligent characters and a satisfying romance.

Pub Date: Feb. 26, 2019

ISBN: 978-1-64063-533-3

Page Count: 432

Publisher: Entangled: Amara

Review Posted Online: Jan. 2, 2019

Kirkus Reviews Issue: Feb. 15, 2019

Next book

ONE DAY IN DECEMBER

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an...

True love flares between two people, but they find that circumstances always impede it.

On a winter day in London, Laurie spots Jack from her bus home and he sparks a feeling in her so deep that she spends the next year searching for him. Her roommate and best friend, Sarah, is the perfect wing-woman but ultimately—and unknowingly—ends the search by finding Jack and falling for him herself. Laurie’s hasty decision not to tell Sarah is the second painful missed opportunity (after not getting off the bus), but Sarah’s happiness is so important to Laurie that she dedicates ample energy into retraining her heart not to love Jack. Laurie is misguided, but her effort and loyalty spring from a true heart, and she considers her project mostly successful. Perhaps she would have total success, but the fact of the matter is that Jack feels the same deep connection to Laurie. His reasons for not acting on them are less admirable: He likes Sarah and she’s the total package; why would he give that up just because every time he and Laurie have enough time together (and just enough alcohol) they nearly fall into each other’s arms? Laurie finally begins to move on, creating a mostly satisfying life for herself, whereas Jack’s inability to be genuine tortures him and turns him into an ever bigger jerk. Patriarchy—it hurts men, too! There’s no question where the book is going, but the pacing is just right, the tone warm, and the characters sympathetic, even when making dumb decisions.

Anyone who believes in true love or is simply willing to accept it as the premise of a winding tale will find this debut an emotional, satisfying read.

Pub Date: Oct. 16, 2018

ISBN: 978-0-525-57468-2

Page Count: 400

Publisher: Crown

Review Posted Online: July 30, 2018

Kirkus Reviews Issue: Aug. 15, 2018

Close Quickview