An at-times quite challenging but agile and lively introduction to language.
The beauty and intrigue of language.
Shariatmadari, a linguist and Guardian editor, is anxious to remove linguistics from its ivory-tower encampment and make it understandable for general readers. He cuts “through the fallacies and folklore that cloud our understanding” of this social science and provides some entertainment along the way. The author begins with the age-old myth that “language is going to the dogs.” On the contrary, language is “constantly evolving….It’s the speed of change, within our own short lives, that creates the illusion of decline.” A history of the word “toilet” helps Shariatmadari shatter the myth that the origin of a word, its etymology, is a guide to its true meaning. How a word sounds when spoken, the “very fount of our self-expression,” is largely unconscious. The shapes of our vowels and consonants, as well as accents, can change “whether you know it or not.” Can animals speak? Meet Alex, an African grey parrot that could respond to complicated questions and even create a metaphorical compound. He said “rock corn” to describe dried corn. Using a specially designed board of symbols, Kanzi, a bonobo, can respond to around 3,000 words. The author also delves into where dialects come from, how to decide where a language begins and ends, and African American Vernacular English. AAVE has been branded slang or ghetto language, but using it “to help students acquire standard English actually speeds up that process.” Are some languages better than others? Korean is held up by some as a “superior” language while German is a “time-honoured whipping boy.” Mandarin is “slow but dense, Spanish quick but light.” Shariatmadari enters into the fray over the noted linguist Noam Chomsky’s controversial belief that language is instinctual. He votes no. Inquiring minds curious about epenthesis backronyms and heteronymy will find answers here.
An at-times quite challenging but agile and lively introduction to language.Pub Date: Jan. 7, 2020
ISBN: 978-1-324-00425-7
Page Count: 336
Publisher: Norton
Review Posted Online: Sept. 24, 2019
Kirkus Reviews Issue: Oct. 15, 2019
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s...
Music journalist and musician Wald (Talking 'Bout Your Mama: The Dozens, Snaps, and the Deep Roots of Rap, 2014, etc.) focuses on one evening in music history to explain the evolution of contemporary music, especially folk, blues, and rock.
The date of that evening is July 25, 1965, at the Newport Folk Festival, where there was an unbelievably unexpected occurrence: singer/songwriter Bob Dylan, already a living legend in his early 20s, overriding the acoustic music that made him famous in favor of electronically based music, causing reactions ranging from adoration to intense resentment among other musicians, DJs, and record buyers. Dylan has told his own stories (those stories vary because that’s Dylan’s character), and plenty of other music journalists have explored the Dylan phenomenon. What sets Wald's book apart is his laser focus on that one date. The detailed recounting of what did and did not occur on stage and in the audience that night contains contradictory evidence sorted skillfully by the author. He offers a wealth of context; in fact, his account of Dylan's stage appearance does not arrive until 250 pages in. The author cites dozens of sources, well-known and otherwise, but the key storylines, other than Dylan, involve acoustic folk music guru Pete Seeger and the rich history of the Newport festival, a history that had created expectations smashed by Dylan. Furthermore, the appearances on the pages by other musicians—e.g., Joan Baez, the Weaver, Peter, Paul, and Mary, Dave Van Ronk, and Gordon Lightfoot—give the book enough of an expansive feel. Wald's personal knowledge seems encyclopedic, and his endnotes show how he ranged far beyond personal knowledge to produce the book.
An enjoyable slice of 20th-century music journalism almost certain to provide something for most readers, no matter one’s personal feelings about Dylan's music or persona.Pub Date: July 25, 2015
ISBN: 978-0-06-236668-9
Page Count: 368
Publisher: Dey Street/HarperCollins
Review Posted Online: May 15, 2015
Kirkus Reviews Issue: June 1, 2015
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
BOOK TO SCREEN
BOOK TO SCREEN
BOOK TO SCREEN
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
BOOK REVIEW
BOOK REVIEW
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