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THE STORY OF AIN'T

AMERICA, ITS LANGUAGE, AND THE MOST CONTROVERSIAL DICTIONARY EVER PUBLISHED

Perhaps too much Macdonald and not enough logo-geekery, but a well-researched, even loving, look at our language and its...

Former Weekly Standard editor and current Humanities magazine editor Skinner debuts with the story of Webster’s Third New International Dictionary, whose 1961 publication prompted assorted pundits to declare that the end of civilization was nigh.

Imagine a time when a dictionary could animate the media as much as a political sex scandal. It wasn’t that long ago. Skinner, who serves on the usage panel for the American Heritage Dictionary, knows dictionaries and how they are made and devotes a large portion of his attention to the nouns-and-verbs aspects of lexicography. (How are words discovered and selected? How are definitions written? Where do the examples come from?) The author also profiles the people who made the decisions about the book, including Dr. Philip Gove, editor-in-chief for the project, and his predecessors and successors. The author also sketches the stories of the dictionary’s harshest critics, principally Dwight Macdonald, whose biography Skinner distributes throughout. He examines the powerful cultural forces involved, including the rise of structural linguistics and cultural relativism, the effects of TV and movies on vocabulary, and the country’s changing demographics. We learn why the F-bomb and others are not in the book, and why Gove changed the style of definitions, why he included so many varying pronunciations, and why he viewed the volume as descriptive rather than prescriptive. This latter function is what ignited critics, many of whom believed the lexicographers had caved and had no interest in maintaining standards. (The author points out that ain’t was in many dictionaries, including Webster’s Second.) Skinner carefully identifies the critics’ errors and the lexicographers’ missteps, and he explores the economics and politics of the dictionary business.

Perhaps too much Macdonald and not enough logo-geekery, but a well-researched, even loving, look at our language and its landlords.

Pub Date: Oct. 9, 2012

ISBN: 978-0-06-202746-7

Page Count: 350

Publisher: Harper/HarperCollins

Review Posted Online: June 11, 2012

Kirkus Reviews Issue: July 1, 2012

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KILLERS OF THE FLOWER MOON

THE OSAGE MURDERS AND THE BIRTH OF THE FBI

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Awards & Accolades

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  • Kirkus Reviews'
    Best Books Of 2017


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  • National Book Award Finalist

Greed, depravity, and serial murder in 1920s Oklahoma.

During that time, enrolled members of the Osage Indian nation were among the wealthiest people per capita in the world. The rich oil fields beneath their reservation brought millions of dollars into the tribe annually, distributed to tribal members holding "headrights" that could not be bought or sold but only inherited. This vast wealth attracted the attention of unscrupulous whites who found ways to divert it to themselves by marrying Osage women or by having Osage declared legally incompetent so the whites could fleece them through the administration of their estates. For some, however, these deceptive tactics were not enough, and a plague of violent death—by shooting, poison, orchestrated automobile accident, and bombing—began to decimate the Osage in what they came to call the "Reign of Terror." Corrupt and incompetent law enforcement and judicial systems ensured that the perpetrators were never found or punished until the young J. Edgar Hoover saw cracking these cases as a means of burnishing the reputation of the newly professionalized FBI. Bestselling New Yorker staff writer Grann (The Devil and Sherlock Holmes: Tales of Murder, Madness, and Obsession, 2010, etc.) follows Special Agent Tom White and his assistants as they track the killers of one extended Osage family through a closed local culture of greed, bigotry, and lies in pursuit of protection for the survivors and justice for the dead. But he doesn't stop there; relying almost entirely on primary and unpublished sources, the author goes on to expose a web of conspiracy and corruption that extended far wider than even the FBI ever suspected. This page-turner surges forward with the pacing of a true-crime thriller, elevated by Grann's crisp and evocative prose and enhanced by dozens of period photographs.

Dogged original research and superb narrative skills come together in this gripping account of pitiless evil.

Pub Date: April 18, 2017

ISBN: 978-0-385-53424-6

Page Count: 352

Publisher: Doubleday

Review Posted Online: Feb. 1, 2017

Kirkus Reviews Issue: Feb. 15, 2017

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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