Sardonic and wistful at the same time.
Vampires rule the world, but they’ve been domesticated along the way in Sosnowski’s unnervingly funny second novel (after Rapture, 1996).
Years ago, blue-collar narrator Martin Kowalski founded the Benevolent Vampire Society, which specialized in rooting out murderers, rapists, and other undeserving humans. But the society’s good intentions were eventually swamped by those old vampiric primal urges. A swift campaign by Martin and others to “turn” the world—he got a job at a blood bank and put a little drop of himself into each bag—has by the time of the book (the future, that is) resulted in an almost-all-vampire population. Since the only remaining humans are a few bred on illegal-but-tolerated farms for wealthy vamps, the thrill of the hunt is pretty much gone; everyone lives on store-bought blood, which Martin heats up in his Mr. Plasma, buying no-longer-needed items like Count Chocula cereal on eBay. Martin, who is having an existential/mid-eternity crisis, reaches a spiritual crossroads when he comes across Isuzu, an orphaned little girl who’s escaped from a breeding farm. Intending at first to just toss her into the trunk and have a nice snack later, Martin ends up bringing Isuzu home and putting off killing her for so long that he ends up as a surrogate father. Sosnowski has a good time with his premise, loading the text with so many bad puns you can almost hear the drummer’s rim shot, but also figuring out the practicalities of an all-vampire world: “One of the fringe benefits of being a vampire was you always got the cheapest fares because you always flew the red eye. Now, the red eye’s all there is.” The author for the most part adroitly avoids the sentimental landmines inherent in his vampire-as-dad premise, and the narrative starts to lose focus only toward the end.
Sardonic and wistful at the same time.Pub Date: Aug. 4, 2004
ISBN: 0-7432-6253-0
Page Count: 352
Publisher: Free Press
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: June 1, 2004
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
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