EARTHLY VESSELS

In Isaak’s fantasy novel, an unsuspecting man discovers the role he was born to play in defeating the forces of darkness on the battlefield known as Earth.

The year is 1969, and Crystal Keeling finds herself in Manhattan at the end of a six-month-long hitchhiking trip. The adventurous young woman dips her toes in a cult known as the Children of Pan, where Crystal was “asked if she’d be willing to play a lead role in The Children’s fertility rites…and when she discovered it involved no more than a little friendly semipublic sex, she was happy to oblige.” After a disappointing non-orgy with the cult’s goat-masked leader, Crystal wanders off to her next adventure. Cut to 35 years later, and Crystal’s adult son Arby is the result of that brief liaison. Living in Saudi Arabia at the time, Arby takes a flight home at his mother’s request. Then he meets Elaina, a blind woman who turns out to be not exactly mortal. Instead, she and Arby are dragged into an epic battle between the forces of light and darkness. Their main adversary is “an entity who lived in both worlds, the etheric and the physical,” who goes by the name of von Fleischer (aka: The Flayer). It turns out that the Children of Pan had been on to something, and Arby soon discovers powers he never knew existed. After Crystal is kidnapped, Arby must reconnect with his previous lives in order to cross “the bridge” into the Inner Planes—a process that he may never be able to find his way back from: “Constriction and form will have to contend with infinite space, and you will have to find a path between the two.” Only then does Arby have a chance at defeating von Fleischer and the darkness he brings once and for all.

Sex with a goat-masked cult leader might be considered a risky way to start a novel, but Isaak pulls it off by blending some absurdly humorous observations (such as one about unplanned pregnancies) with plenty of action and a shrewd eye for philosophy and religion: “It’s an ecosystem. There are entities who feed exclusively on love, entities who feed exclusively on war, even rarefied entities who feed on intellectual excitement. There are others with more catholic tastes, feeding on an array of emotions. Any of them, of course, thrive on worship, for these entities, when encountered by humans, are called gods.” Arby’s journey from ordinary man to bona fide Hero with a capital H is one that forces him to consider the inner workings of both the universe and himself. Naturalistic dialogue provides an easy way to bandy about various philosophical ideas, including the existence of past lives and our ability to shape our past, present, and future. And every time readers think they know where the plot might be going, Isaak tends to take a hard left to set off on new courses that will intrigue even as they baffle. A truly shocking outcome and the promise of a new beginning all make for an ending that, upon further reflection, perfectly fits a novel of this sort—one that constantly keeps readers on their toes.

A refreshingly unique take on the eternal battle of good versus evil that amuses while it philosophizes.